Building materials

2050+'s Dynamic "Dancing Frontones" Transform Spanish Parking Lot into Public Sports Arena

The design studio 2050+ has introduced a transformative project in Logroño, Spain, reimaging a conventional parking lot into a vibrant, dynamic public sports infrastructure. This innovative endeavor, titled "Frontones Danzantes," was selected for the 2026 edition of Concéntrico, an international open call for Ephemeral Agents. It stands as a testament to how architectural intervention can revitalize underutilized urban areas, fostering community engagement and promoting active lifestyles through sport.

Revolutionizing Urban Landscapes Through Play and Movement

From Asphalt to Arena: The Vision of "Frontones Danzantes"

The "Frontones Danzantes" installation by 2050+ represents a groundbreaking approach to urban renewal, transforming the Aparcamiento del Revellín in Logroño into a lively, interactive playground. Inspired by the traditional Basque sport, Pelota Vasca, which inherently uses architectural surfaces in its play, the project highlights the potential of athletic activities to breathe new life into dormant urban spaces and cultivate fresh avenues for collective interaction. This initiative challenges conventional notions of public space, showcasing its adaptability for community benefit.

The Philosophy Behind Public Space Reclamation Through Sport

Ippolito Pestellini Laparelli, a key figure in 2050+, articulates the core philosophy behind "Frontones Danzantes," emphasizing its role in reclaiming public spaces for communal activities. He notes that the versatile structures can be strategically placed to facilitate sport and draw people together, countering the global trend of diminishing public spaces and recreational opportunities. For the team, this project is a deliberate effort to re-energize urban environments with activities that promote social cohesion and physical engagement.

A Flexible Framework for Collective Interaction

The intervention is characterized by its flexible system of sporting infrastructures, meticulously designed to support movement, gathering, and various forms of social interaction. Strategically positioned within a parking facility already surrounded by sports amenities, the project temporarily redefines the site's purpose from mere vehicle circulation and storage to a vibrant center for public participation and lively communal life. This shift underscores a broader vision for urban planning, prioritizing human interaction over static utility.

Instant Community Engagement: A Testament to Design

Even before its official unveiling at Concéntrico, the installation had already begun to fulfill its intended role. Within hours of its completion, local residents spontaneously gathered around the movable frontones, transforming the parking lot into an impromptu basketball court and a hub for collective recreation. This immediate adoption by the community serves as powerful evidence of the project's success in creating accessible, engaging public spaces that resonate with local needs and desires.

Dynamic Play Structures: Catalysts for Urban Transformation

Central to 2050+'s installation are four adaptable frontones, each designated for distinct activities such as Pelota Vasca, basketball, football, and climbing. These structures are distributed across the site, offering the flexibility to be repositioned and reconfigured, thereby allowing the parking lot's spatial arrangement to evolve in response to different events and needs. This dynamic design extends the fronton's traditional function, turning it into a versatile tool for urban space reclamation.

Sport as a Mechanism for Temporary Commons

"Frontones Danzantes" reimagines sport as a vital mechanism for establishing temporary communal spaces within the urban fabric. It encourages both locals and visitors to move, gather, and engage in friendly competition within a shared environment. This project builds upon the ongoing research of the Milan-based multidisciplinary practice, 2050+, into the spatial implications of sport and its capacity to reshape urban settings. Erica Petrillo, a curator and researcher with the studio, emphasizes their interest in sport and play as instruments for reclaiming and transforming urban landscapes.

Integrating Local Heritage and Architectural Forms

Erica Petrillo further elaborates on the project's inspiration, noting their decision to introduce walls where none existed, repurposing a former parking area into an active space. She highlights the inherent nature of Pelota Vasca, which involves using existing facades as part of the game, thus serving as a metaphor for transforming and reactivating urban environments. The geometric design of the structures subtly echoes surrounding and historical architectures, seamlessly weaving the intervention into Logroño's urban tapestry and reinterpreting familiar forms as innovative sporting equipment.

Bridging Divides and Envisioning Future Urban Possibilities

By blending local architectural cues with traditional sporting practices, 2050+ aims to bridge both physical and social divides present within the site. The project leverages play as a powerful tool to reconnect fragmented urban conditions, fostering a sense of unity and shared purpose among its users. Presented during Concéntrico 2026, this installation actively contributes to ongoing dialogues about how temporary architectural interventions can effectively test alternative uses for public space, showcasing how adaptable and low-impact designs can unlock new possibilities for collective life in cities.

The Dining Table Transformed: An Immersive Artistic and Culinary Experience

Eleonore Buschinger, a Paris-based artist and chef, has pioneered a revolutionary approach to dining, challenging traditional perceptions of "L'Art de la Table." Her immersive installation transcends the boundaries of conventional art and culinary practices, creating a dynamic environment where the act of eating becomes an integral part of a living artwork. This project not only reinterprets a classic French concept but also transforms the dining experience into a captivating, multi-sensory journey.

Experience Culinary Artistry Where Every Meal is a Masterpiece

The Genesis of an Artistic Culinary Concept

Buschinger's project, conceived for Soho House Berlin's Gallery Weekend, reimagines the well-known French phrase "L'Art de la Table." Traditionally denoting the refined customs and aesthetics of dining, Buschinger takes a more literal interpretation, positioning the dining table itself as the central artistic medium. This innovative vision seeks to extend the canvas beyond typical boundaries, merging the realms of painting, furniture, and gastronomic delight into a unified, site-specific composition.

A Canvas Unfurled: The 35-Meter Hand-Painted Installation

Central to this immersive experience is a colossal 35-meter hand-painted artwork that gracefully flows across the walls, floor, and the dining table itself. This continuous visual narrative skillfully blurs the lines between various artistic and functional elements, eliminating the conventional separation of painting from its display surface. Here, the table is not merely a pedestal but an intrinsic component of the expansive painted environment, allowing the artistic narrative to unfold uninterrupted across every surface it touches.

From Plate to Palette: Culinary Elements as Artistic Inspiration

Buschinger's creative methodology in "L'Art de la Table" deliberately inverts the typical relationship between food preparation and artistic design. Rather than designing dishes to fit a pre-existing visual theme, the culinary offerings became the very foundation for the artwork. The artist meticulously developed recipes, painted the installation, and prepared the meal concurrently. Ingredients, their vibrant colors, diverse textures, and the intricate plating compositions served as the direct inspiration and source material for the installation's visual language, translating culinary artistry into painted forms and patterns.

The Meal's Journey: A Sequential Visual Symphony

The entire installation is orchestrated to mirror the progression of a multi-course meal. It commences with an introductory painted composition, setting the visual tone and vocabulary for the entire experience. As the painting transitions from the walls to the floor, and then across the extensive dining table, overlapping forms and layered colors emerge, evoking the dynamic processes of culinary preparation and cooking. Recurring motifs, presented in varying scales and arrangements, establish a visual rhythm that parallels the succession of dishes served throughout the dinner.

Dissolving Boundaries: A Three-Dimensional Culinary Canvas

The painted surface envelops the dining table, extending over its top, down its sides, and onto the surrounding floor, effectively transforming the furniture into a captivating three-dimensional artistic object. The experience culminates with a final painted panel that subtly echoes the initial composition, but rendered in a subdued, colorless palette. This artistic choice signifies the conclusion of the meal, leaving behind only the lingering traces of a memorable experience. To maintain an uninterrupted visual dialogue between the art and the meal, each course was thoughtfully served on transparent glass plates, ensuring the painted artwork remained visible beneath the food.

Interactive Gastronomy: Participation as Part of the Art

A crucial aspect of this installation is its participatory nature. Guests are not passive observers but active components within the painted environment. Their movements, conversations, the ritual of serving, and the gradual consumption of the food all contribute to and continuously reshape the spatial composition. In this dynamic setting, the installation evolves with each moment, as the actions of the participants seamlessly integrate into the artwork itself.

An Evolving Series: The Future of L'Art de la Table

Envisioned as an ongoing series, "L'Art de la Table" provides a flexible framework where each new iteration will be a unique, site-specific installation. Future editions will draw inspiration from seasonal ingredients, local culinary traditions, and their distinct colors, forms, and material qualities. Through this adaptive approach, Eleonore Buschinger consistently delves into the intricate interplay between cooking, painting, and spatial design, utilizing food not just as sustenance, but as the fundamental basis for both visual artistry and shared human experience.

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Karl Monies: Blending Nature, Craft, and Light in Transformative Designs

Danish artist and designer Karl Monies presents his latest lighting sculptures, which transform conventional notions of craft and utility into an immersive, organic experience. His works, particularly the mushroom-inspired lamps, blur the lines between functional objects and art, drawing inspiration from natural forms and traditional techniques.

Illuminating Innovation: Where Nature Meets Artisanal Creation

The Emergence of Luminous Fungi: A Fusion of Art and Nature

At the 'other circle' exhibition in Copenhagen during 3daysofdesign, Karl Monies unveiled his captivating mushroom-like lamps. These installations appear to sprout from the exhibition space itself, with their metallic caps rising from earthy bases of moss and lichen, casting a gentle glow from beneath their rims. Positioned close to the ground within metal trays, the pieces openly display their cables and textured surfaces, revealing an array of oxidized blues, rustic browns, rivets, and seams.

Craft as a Continuous Dialogue: Monies' Artistic Evolution

This exhibition represents a continuation of Monies' unique design philosophy, which sees craft as a fluid and evolving medium. His diverse portfolio, encompassing ceramics, furniture, painting, and jewelry, converges in these Copenhagen pieces to emphasize light and natural landscapes. The mushroom forms are a direct evolution from his 'Bonum Lumen' series, initially showcased at his 2024 'Macro' solo exhibition at Etage Projects.

The Evident Hand: Traces of Creation in Each Piece

Each lamp bears the distinct marks of its making. The faceted metal sheets are joined with visible seams, tiny rivets trace the contours like drawn lines, and the oxidized colors settle unevenly, creating a rich, textured patina. Some caps display a gentle tilt, while others expand into broad, protective shelters. Their inherent imperfections lend them a profound presence, as if each piece has organically adapted during its creation process.

From Earth to Art: The Journey of the Mushroom Lamps

During his 'Macro' solo show in Copenhagen, the integration of mossy bases fundamentally altered the perception of the lamps. Rather than existing as isolated design objects, they formed intricate ecosystems, where soft green textures met hammered metal, bathed in warm light. The gallery floor was reimagined as a carefully constructed landscape, part enchanted forest, part artisan's workshop.

Embracing Contradiction: The Essence of Monies' Material World

This interplay of tension and familiarity lies at the core of Monies' artistic approach. His creations often begin with recognizable forms such as vessels, lamps, or bottles, which he then manipulates until they transcend their temporal context. The mushroom lamps perfectly embody this ethos, evoking folklore, natural growth, refuge, and decay, all while transparently showcasing their structural elements.

Narratives in Clay: Symbolic Vessels and Enduring Forms

Monies is also renowned for his ceramic vessels, many of which combine glazed stoneware with elements like cork and patterned climbing ropes. These containers draw inspiration from diverse historical and cultural periods, ranging from sake bottles to modernist design. However, they are never mere reproductions; instead, they synthesize disparate fragments into entirely new and meaningful forms.

Unveiling the Arcane: Deeper Meanings in Earlier Works

His earlier 'Arcana' series, exhibited at Etage Projects in 2019, brought this symbolic dimension into sharper focus. This collection explored themes of magic, tarot, and ritualistic instruments, presenting objects not just as functional items but as catalysts for contemplation. In this context, the vessel transcends its physical form to become a repository of memory, belief, and material experimentation.

Craft Reimagined: Tradition in Transformation

Karl Monies offers a perspective on craft that views tradition not as a static entity but as a dynamic inheritance. His work eschews the preservation of tradition in its original state, instead embracing older material languages and allowing them to evolve, illuminate, and take on unexpected, compelling new forms.

The Tangible Philosophy: Openness in Craft

The mushroom lamps at 'other circle' beautifully encapsulate this philosophy. They harmoniously blend metalwork, elements of landscape, light, and the inherent irregularities of handcraft, defying easy categorization. In Monies' artistic universe, craft serves as a means to keep objects open-ended, enabling them to carry echoes of the past while simultaneously allowing space for new rituals, uses, and meanings to emerge and take shape.

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