Achille Castiglioni's Studio: A Playful Legacy Exhibition














Unlocking the Joy of Design: Castiglioni's Playful Legacy
Exploring the Milan Studio: A Designer's Treasury
Stepping into Achille Castiglioni's former studio, situated near Milan's picturesque Parco Sempione, is akin to entering a whimsical world. The space is a vibrant repository of intriguing gadgets, whimsical trinkets, stylish sunglasses, and even a curling stone. This eclectic assortment, meticulously gathered by the late Italian architect, prompts visitors to consider whether these playful items ever seamlessly integrated into his renowned works, which include chairs, shelving units, and teapots. According to Marco Marzini, co-curator of the upcoming 2026–2027 exhibition "Achille and Bruno, Free to Play," while Castiglioni's designs didn't directly translate into toys, his personal collection served as both a source of amusement and a wellspring of design inspiration, enjoyed with his children and friends.
The Interplay of Play: Castiglioni and Munari's Shared Vision
The current exhibition skillfully recontextualizes Castiglioni's diverse collection of curiosities by placing them in conversation with the prolific work of his contemporary, Bruno Munari. This juxtaposition illuminates Castiglioni's deep appreciation for the inherent joy found in everyday items. While Castiglioni himself did not venture into designing interactive games or toys, Munari's artistic portfolio is rich with educational puzzles, engaging books, and innovative playthings. Marzini eloquently explains the contrasting yet complementary approaches of the two men: "Munari empowered children to feel like adults, and adults to reconnect with their inner child." By presenting their works side-by-side, the exhibition brilliantly underscores Castiglioni's profound commitment to infusing a sense of fun into serious design.
Unveiling the Hidden Gems of the Foundation's Archive
Upon entering the Foundation, nestled within a historic courtyard characteristic of Milanese palazzos, the exhibition space immediately evokes the ambiance of a working studio rather than a conventional gallery. There are no stark white walls; instead, bookshelves overflow with magazines, and antique display cases with aged glass reveal not delicate china but an intriguing collection of knick-knacks, googly eyes, and vintage 3D movie glasses. This dynamic environment feels alive, a true cabinet of curiosities, suggesting that the designer, despite his passing over two decades ago, continues to inspire and create within its walls.
Embracing Creative Chaos: Marzini's Exhibition Approach
Capitalizing on the studio's inherent sense of organized chaos, Marzini and the Castiglioni Foundation have crafted an exhibition that immerses visitors in a vibrant "fun house" of design. A poster of Munari's iconic October 1944 Domus spread, depicting him playfully engaging with a topsy-turvy armchair, hangs from the ceiling, inviting viewers to reconsider perspectives. To further encourage interaction, a heavily upholstered armchair, propped on its back and facing a mirror, encourages visitors to playfully interact with ordinary objects, mirroring Munari's whimsical spirit and offering a unique photo opportunity.
Interactive Exploration: Engaging with Munari's Innovative Techniques
The spirit of playful engagement extends to the back rooms of Castiglioni's studio. Here, a dimly lit alcove features a screen descending from hand-operated pulleys, serving as a canvas for projected light. This space transforms into a creative laboratory where visitors can experiment with three Rocket Ferrania projectors, designed in 1960 by Achille and Pier Giacomo Castiglioni. These projectors are set up to replicate Bruno Munari's "Direct Projections" (Proiezioni Dirette), allowing participants to create art by arranging layers of colored film, paper scraps, and various materials in front of a light source. Additionally, a large photocopy machine is available for guests to explore Munari's "Xerografie originali," his pioneering experiments in image-making using the scanning capabilities of a copier.
New Perspectives: Castiglioni's Eyewear Collection and Munari's Portraits
In another intimate section of the exhibition, a flat, backlit glass case showcases Castiglioni's extraordinary collection of eccentric eyewear. Above this display, images of the designer himself, adorned with various humorous spectacles and beaming, highlight his impressive assortment of quirky goggles. Suspended above, a mobile-like arrangement features prints of faces illustrated with black lines, drawn from Munari's extensive series of drawn portraits. As Marzini insightfully notes, "the human face, as a vessel of expression, is made up of elements that can be altered, layered, and transformed through the endless play of the mask." Here, the concept of the mask transcends physical coverings, evolving into a philosophical idea that explores how we conceal, obscure, and adorn our faces to embody different identities.
Revisiting Castiglioni's Enduring Legacy Annually
Each year, the foundation dedicated to Achille Castiglioni delves into his extensive archives to present innovative perspectives on his enduring legacy to the public. For instance, in 2018, they organized "100x100 Achille," an event where a hundred designers were invited to contribute a small, everyday object as a "gift" to Castiglioni, accompanied by a birthday card celebrating his centennial. These modest items served as a homage to his profound inclination for collecting even the smallest tchotchkes. Eight years later, the "Achille and Bruno, Free to Play" exhibition meticulously illustrates how these seemingly insignificant treasures profoundly influenced his most celebrated works, bringing his playful spirit to life once more.