Architectural Cases

Amman Design Week 2026: "Accumulations" Explores the Evolution of Place and Culture

Amman Design Week is making its much-anticipated return from October 2-17, 2026, featuring its fourth installment under the compelling theme of "Accumulations." This biennial event, inaugurated by Her Majesty Queen Rania Al Abdullah, will host a diverse group of over 220 designers and participants. Spanning across various exhibitions, installations, public projects, discussions, workshops, and performances, the event will take place in significant locations such as Ras El Ain, Jabal Al Lweibdeh, Jabal Amman, Iraq Al Amir, and, for the first time, in Aqaba. The chosen theme delves into the intricate process by which materials, memories, knowledge, labor, and everyday practices converge over time, ultimately shaping the character and identity of inhabited spaces. This approach establishes a deep connection between the design week and the city of Amman itself, reflecting its layered history and evolving urban fabric.

The upcoming Design Week introduces a fresh leadership framework, with architects Sarah Hejazin and Bisher Tabbaa, co-founders of the Jordanian firm FADAA, stepping in as co-directors. This appointment marks a significant shift, embedding an architectural practice at the helm of an event that has progressively broadened its scope beyond traditional exhibitions to encompass public space interventions, educational initiatives, local manufacturing, and cultural programming. This strategic direction for the 2026 edition is evidenced by the decision to integrate the event into existing structures, parks, streets, heritage sites, and natural landscapes. By doing so, the city and its surrounding environments become integral components of the exhibition experience, fostering a seamless interaction between design and daily life.

Faysal Tabbarah, an architect, educator, and co-founder of Architecture + Other Things (A+OT), has curated the exhibitions to highlight the interconnectedness of daily routines, material environments, and cultural heritage. Each project is presented alongside a "trace"—an artifact, archival document, oral history, inherited tool, or ecological reference—that enriches the narrative and underscores the theme of accumulation. This curatorial approach emphasizes how design is deeply rooted in the historical and social context of a place, revealing the subtle yet powerful ways in which past and present continuously shape the built environment.

A central exhibition unfolds at the Hangar in Ras El Ain, a 1930s industrial edifice initially built to generate electricity for Amman during its rapid urban expansion. This structure, nestled amidst the city's hills, has since been transformed into a cultural hub through collaborative rehabilitation efforts by TURATH: Architecture and Urban Design and the Greater Amman Municipality. Its visible industrial legacy makes it an ideal venue for an exhibition exploring the transformative layers of a place's history. The surrounding Ras El Ain Park, Al Mamsha, Al Mudarraj, and Al-Hussein Cultural Center further extend the program into the broader community, integrating design into everyday urban spaces.

Within the Hangar, the exhibition unites diverse projects spanning architecture, furniture design, material research, publishing, and public space interventions, each addressing the theme of accumulation at varying scales. Praxis's "Infusing Green Infrastructure in Amman" showcases three distinct interventions—a staircase, a park, and an undeveloped plot—developed through community engagement and technical research, illustrating how local conditions inform public space design. DASA Architecture Practice's "Common Ground" explores gathering through modular blocks arranged on a grid, creating flexible spaces for interaction and allowing social use to define the work. These projects collectively highlight the dynamic interplay between human activity, natural elements, and structural design, all contributing to the ongoing narrative of urban evolution.

Other installations within the exhibition foreground material transformation and the passage of time. Laith Matarweh Studio for Architecture's "Al-Mastaba" layers stone and concrete to envision a future ruin, with intentional gaps that anticipate the emergence of vegetation. Abdulrahman Al Muftah and Huzaima Al Rifai's "Binayah" explores furniture as inhabitable architecture, drawing inspiration from Amman's topography and traditional Qatari towers. Both works emphasize how objects and structures are continually altered by use, environmental conditions, and collective memory, underscoring the ephemeral yet enduring nature of design.

The exhibition seamlessly extends into Ras El Ain Park with a series of permanent urban interventions, establishing public space as a key arena for experiencing the 2026 edition. These projects, which include seating areas, gathering points, and playful installations, are designed to complement the existing landscape. Civil Architecture's "Folly" features a ceramic-tile roof nestled among the park's trees, creating a shaded communal area. The tiles, locally sourced and manufactured by Haswa in Jordan, connect the installation to the region's material culture and local production capabilities, emphasizing sustainability and community engagement.

In the vicinity, Abeer Anabtawi's "Nawwarat Amman" transforms a barren concrete expanse into a vibrant basketball court, adorned with imagery of local plants like tomatoes, chamomile, and wheat, reflecting Amman's markets and domestic life. Mohamad Nahleh's "Domes of the Rock" reimagines a park lighting pole and stone seat, linking it to the structural history of Jerusalem's Dome of the Rock. Its half-scale wood and steel form highlights the monument's historical repairs and rebuilding, while serving as functional lighting and seating. These interventions integrate art, history, and utility into the urban fabric, enriching public spaces with cultural narratives and practical uses.

Another significant intervention is situated at the Ash Shariah College Intersection in Jabal Al Lweibdeh. "Ard Al Sahn," designed by Ziad Jamaleddine and Makram el Kadi of L.E.FT, with Iheb Guermazi and Beya Othmani, expands the public area around the Shariah Mosque into the street, reimagining an existing intersection as a civic space. The project utilizes local stone waste to create a surface oriented towards the Qibla, complemented by flowering trees and bird baths that provide shade and encourage ecological activity. This initiative merges the religious and social aspects of the mosque with the broader streetscape, transforming an overlooked piece of infrastructure into a vibrant community hub.

The broader program, curated by Khaled Al-Bashir, Arts and Culture Director at Darat al Funun – The Khalid Shoman Foundation, encompasses a rich array of workshops, talks, conversations, walks, performances, and residencies, distributed across the event's various locations. A panel discussion titled "How is Architectural Value Constructed?" on October 3 at Al Mudarraj in Ras El Ain will bring together prominent figures such as Laith Matarweh, Ali Ismail Karimi of Civil Architecture, Rana Beiruti, and Ziad Jamaleddine of L.E.FT, moderated by ArchDaily Editor-in-Chief Christele Harrouk. This discussion, part of the "Practices and Processes" strand, will explore the formation of architectural value and narratives over time, examining how practices establish identities, how recognition shapes the field, and how critical discourse influences visibility and understanding. The conversation aligns closely with "Accumulations," emphasizing how architectural work gains meaning through use, interpretation, and the stories built around it, offering profound insights into the dynamic interplay between design and cultural evolution.

The Architecture of Water: Navigating Territories, Tensions, and Transformations

ArchDaily's October theme, "The Architecture of Water: Territories, Tensions & Transformations," explores humanity's complex and often contradictory relationship with this essential element. Water is unequivocally linked to life, sustaining all known biological processes on Earth. However, it also acts as a profound divider, shaping political boundaries, influencing migration patterns, and sparking environmental debates. The editorial series aims to uncover how architectural and design practices can respond to the challenges and opportunities presented by water in an era of climate change, urbanization, and resource scarcity. By examining historical precedents and contemporary innovations, the articles will propose pathways toward a more harmonious coexistence with water, recognizing its inherent power and our collective responsibility in its stewardship.

Historically, human settlements have always clustered around water sources, from ancient river civilizations that harnessed water for agriculture to modern metropolises situated along coastlines. This innate pull towards water has led to sophisticated but often precarious control mechanisms. The article highlights that in the current climate crisis, the illusion of complete control over water is increasingly being shattered. Rising sea levels, intensified floods, and escalating erosion force a re-evaluation of development practices, particularly in vulnerable coastal zones and floodplains. Critical questions arise concerning land reclamation versus ecosystem preservation, the ethics of resource ownership, and the equitable distribution of water-related benefits and burdens.

Throughout October, the series will traverse diverse scales and geographies to illuminate these complexities. It will investigate the foundational role of soil, drainage systems, and water access in shaping power dynamics across different societies. By revisiting ancient water infrastructure, traditionally viewed as monuments, the articles will explore their potential for modern application in addressing contemporary water management needs. Along coastlines, the focus will shift to natural solutions like mangrove forests, presenting them as dynamic alternatives to rigid concrete seawalls, and to regions like the bayous, where innovative design approaches are learning to adapt to shifting hydrological landscapes.

In urban settings, the discussion will spotlight endeavors to transform Southeast Asian canals from mere drainage channels into vibrant ecological and public networks. Similarly, Latin American urban planners are designing public squares and parks to deliberately accommodate seasonal flooding, integrating water into the urban fabric rather than battling against it. For areas grappling with water scarcity, the series will explore advanced atmospheric water generation technologies, critically assessing their promise and limitations. These diverse narratives collectively champion a "Blue Economy" – a framework that prioritizes regeneration and sustainable management over unsustainable exploitation of water resources.

Ultimately, this editorial focus challenges architects and designers to embrace uncertainty, creating resilient structures that can adapt to the natural ebb and flow of water. It encourages a re-examination of established boundaries between land and water, advocating for a paradigm shift that views water not as a commodity to be controlled, but as a shared common good, necessitating collaborative and responsible management for the benefit of all.

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Xu Tiantian Redefines Architecture Beyond Monumentalism in Louisiana Channel Interview

In a compelling interview with Louisiana Channel, architect Xu Tiantian, the visionary behind DnA_Design and Architecture, offers a profound critique of conventional architectural paradigms, particularly the enduring fascination with 'starchitecture.' She asserts that architecture's true value lies not in creating monumental edifices, but in its ability to foster positive social and environmental change. Tiantian's unique 'architectural acupuncture' methodology, which emphasizes subtle, site-specific interventions, serves as a powerful model for revitalizing rural communities by enhancing local culture, agriculture, and tourism. Her work in China has been lauded by UN-Habitat, showcasing a forward-thinking approach to urban-rural integration that moves beyond mere aesthetics to achieve tangible, transformative outcomes. This perspective signals a crucial shift in architectural discourse, advocating for a practice rooted in responsibility and impact rather than ego and grandeur.

Tiantian's philosophy challenges architects to move past self-serving design and instead engage deeply with existing conditions, identifying hidden potentials and leveraging indigenous resources. She argues that in an era marked by pressing global issues like inequality and climate change, the profession must evolve to address what architecture 'can do' rather than what 'should be made.' This reorientation leads to a conclusion that monumental architecture is becoming obsolete, replaced by a need for responsible, engaged, and transformative practices. Her work demonstrates that profound change can be achieved through precise, contextually aware interventions that stimulate new activities, economic opportunities, and collective confidence among residents, ultimately redefining beauty through practicality, sustainability, and cultural continuity.

The Evolution of Architectural Philosophy: From Starchitecture to Social Impact

Xu Tiantian, a leading figure in contemporary architecture and the founder of DnA_Design and Architecture, articulated a compelling vision in her recent interview with Louisiana Channel, challenging the long-held ideal of 'starchitecture.' She reflected on her early perceptions of architecture, where monumental buildings and striking formal expressions were often seen as the pinnacle of achievement. However, her current understanding shifts the focus dramatically, emphasizing architecture's role as a catalyst for meaningful social and environmental impact, rather than an end in itself. Tiantian advocates for a design philosophy that transcends the creation of iconic structures, urging architects to prioritize the broader societal contributions of their work.

This philosophical shift encourages a departure from ego-driven design in favor of a more conscientious approach. Tiantian stresses the importance of thoroughly assessing existing conditions, uncovering latent potential, and integrating interventions seamlessly within the pre-existing fabric of a place. This methodology positions architecture as a responsive and generative force, moving beyond the mere addition of new structures. In an era grappling with significant global challenges, she believes that the architectural profession must embrace responsibility, active engagement, and profound transformation. By concentrating on what architecture can achieve, rather than what it should create, Tiantian champions a new paradigm that redefines the profession's purpose and impact in society.

Architectural Acupuncture: A Strategy for Rural Revitalization and Sustainable Beauty

Xu Tiantian’s innovative 'architectural acupuncture' approach is a testament to her belief in precision, restraint, and deep contextual awareness. This strategy, meticulously outlined in her interview, eschews large-scale, intrusive interventions in favor of targeted, small-scale projects that are deeply rooted in local needs, materials, and cultural frameworks. Drawing inspiration from traditional therapeutic practices, architectural acupuncture seeks to invigorate dormant energies within communities through minimal yet carefully placed interventions. These actions are designed to trigger broader social and spatial regeneration, fostering a sense of ownership among residents and promoting continuous, organic transformation, especially in rural settings. The goal is not the creation of a singular, imposing architectural object, but rather the initiation of dynamic processes that stimulate new activities, create economic opportunities, and build collective confidence.

Within this framework, Tiantian re-examines the conventional notion of beauty, challenging its status as a primary objective in architectural design. Instead, she finds true beauty in the inherent intelligence of vernacular practices, where practicality, sustainability, and cultural continuity coalesce. She posits that what is genuinely beautiful in architecture is that which profoundly supports life, contributing positively to the well-being and longevity of communities. This redefinition aligns architecture with a broader ecological and social responsibility, where design choices are guided by their capacity to enhance local ecosystems and human flourishing. Her approach demonstrates that impactful architecture can emerge from humility and respect for existing contexts, proving that beauty can be found in simplicity and purposeful design.

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