Amman Design Week 2026: "Accumulations" Explores the Evolution of Place and Culture










Amman Design Week is making its much-anticipated return from October 2-17, 2026, featuring its fourth installment under the compelling theme of "Accumulations." This biennial event, inaugurated by Her Majesty Queen Rania Al Abdullah, will host a diverse group of over 220 designers and participants. Spanning across various exhibitions, installations, public projects, discussions, workshops, and performances, the event will take place in significant locations such as Ras El Ain, Jabal Al Lweibdeh, Jabal Amman, Iraq Al Amir, and, for the first time, in Aqaba. The chosen theme delves into the intricate process by which materials, memories, knowledge, labor, and everyday practices converge over time, ultimately shaping the character and identity of inhabited spaces. This approach establishes a deep connection between the design week and the city of Amman itself, reflecting its layered history and evolving urban fabric.
The upcoming Design Week introduces a fresh leadership framework, with architects Sarah Hejazin and Bisher Tabbaa, co-founders of the Jordanian firm FADAA, stepping in as co-directors. This appointment marks a significant shift, embedding an architectural practice at the helm of an event that has progressively broadened its scope beyond traditional exhibitions to encompass public space interventions, educational initiatives, local manufacturing, and cultural programming. This strategic direction for the 2026 edition is evidenced by the decision to integrate the event into existing structures, parks, streets, heritage sites, and natural landscapes. By doing so, the city and its surrounding environments become integral components of the exhibition experience, fostering a seamless interaction between design and daily life.
Faysal Tabbarah, an architect, educator, and co-founder of Architecture + Other Things (A+OT), has curated the exhibitions to highlight the interconnectedness of daily routines, material environments, and cultural heritage. Each project is presented alongside a "trace"—an artifact, archival document, oral history, inherited tool, or ecological reference—that enriches the narrative and underscores the theme of accumulation. This curatorial approach emphasizes how design is deeply rooted in the historical and social context of a place, revealing the subtle yet powerful ways in which past and present continuously shape the built environment.
A central exhibition unfolds at the Hangar in Ras El Ain, a 1930s industrial edifice initially built to generate electricity for Amman during its rapid urban expansion. This structure, nestled amidst the city's hills, has since been transformed into a cultural hub through collaborative rehabilitation efforts by TURATH: Architecture and Urban Design and the Greater Amman Municipality. Its visible industrial legacy makes it an ideal venue for an exhibition exploring the transformative layers of a place's history. The surrounding Ras El Ain Park, Al Mamsha, Al Mudarraj, and Al-Hussein Cultural Center further extend the program into the broader community, integrating design into everyday urban spaces.
Within the Hangar, the exhibition unites diverse projects spanning architecture, furniture design, material research, publishing, and public space interventions, each addressing the theme of accumulation at varying scales. Praxis's "Infusing Green Infrastructure in Amman" showcases three distinct interventions—a staircase, a park, and an undeveloped plot—developed through community engagement and technical research, illustrating how local conditions inform public space design. DASA Architecture Practice's "Common Ground" explores gathering through modular blocks arranged on a grid, creating flexible spaces for interaction and allowing social use to define the work. These projects collectively highlight the dynamic interplay between human activity, natural elements, and structural design, all contributing to the ongoing narrative of urban evolution.
Other installations within the exhibition foreground material transformation and the passage of time. Laith Matarweh Studio for Architecture's "Al-Mastaba" layers stone and concrete to envision a future ruin, with intentional gaps that anticipate the emergence of vegetation. Abdulrahman Al Muftah and Huzaima Al Rifai's "Binayah" explores furniture as inhabitable architecture, drawing inspiration from Amman's topography and traditional Qatari towers. Both works emphasize how objects and structures are continually altered by use, environmental conditions, and collective memory, underscoring the ephemeral yet enduring nature of design.
The exhibition seamlessly extends into Ras El Ain Park with a series of permanent urban interventions, establishing public space as a key arena for experiencing the 2026 edition. These projects, which include seating areas, gathering points, and playful installations, are designed to complement the existing landscape. Civil Architecture's "Folly" features a ceramic-tile roof nestled among the park's trees, creating a shaded communal area. The tiles, locally sourced and manufactured by Haswa in Jordan, connect the installation to the region's material culture and local production capabilities, emphasizing sustainability and community engagement.
In the vicinity, Abeer Anabtawi's "Nawwarat Amman" transforms a barren concrete expanse into a vibrant basketball court, adorned with imagery of local plants like tomatoes, chamomile, and wheat, reflecting Amman's markets and domestic life. Mohamad Nahleh's "Domes of the Rock" reimagines a park lighting pole and stone seat, linking it to the structural history of Jerusalem's Dome of the Rock. Its half-scale wood and steel form highlights the monument's historical repairs and rebuilding, while serving as functional lighting and seating. These interventions integrate art, history, and utility into the urban fabric, enriching public spaces with cultural narratives and practical uses.
Another significant intervention is situated at the Ash Shariah College Intersection in Jabal Al Lweibdeh. "Ard Al Sahn," designed by Ziad Jamaleddine and Makram el Kadi of L.E.FT, with Iheb Guermazi and Beya Othmani, expands the public area around the Shariah Mosque into the street, reimagining an existing intersection as a civic space. The project utilizes local stone waste to create a surface oriented towards the Qibla, complemented by flowering trees and bird baths that provide shade and encourage ecological activity. This initiative merges the religious and social aspects of the mosque with the broader streetscape, transforming an overlooked piece of infrastructure into a vibrant community hub.
The broader program, curated by Khaled Al-Bashir, Arts and Culture Director at Darat al Funun – The Khalid Shoman Foundation, encompasses a rich array of workshops, talks, conversations, walks, performances, and residencies, distributed across the event's various locations. A panel discussion titled "How is Architectural Value Constructed?" on October 3 at Al Mudarraj in Ras El Ain will bring together prominent figures such as Laith Matarweh, Ali Ismail Karimi of Civil Architecture, Rana Beiruti, and Ziad Jamaleddine of L.E.FT, moderated by ArchDaily Editor-in-Chief Christele Harrouk. This discussion, part of the "Practices and Processes" strand, will explore the formation of architectural value and narratives over time, examining how practices establish identities, how recognition shapes the field, and how critical discourse influences visibility and understanding. The conversation aligns closely with "Accumulations," emphasizing how architectural work gains meaning through use, interpretation, and the stories built around it, offering profound insights into the dynamic interplay between design and cultural evolution.