Fashion

Carolyn Bessette-Kennedy's Iconic Headbands Found at C.O. Bigelow

A recent discovery has ignited excitement among enthusiasts of both understated luxury and 1990s fashion. It has been revealed that the signature tortoiseshell headbands, a staple accessory for the late style icon Carolyn Bessette-Kennedy, are still being sold at C.O. Bigelow, an enduring apothecary located in New York City's Greenwich Village. This timely find adds a tangible connection to Bessette-Kennedy's classic aesthetic, particularly as public interest in her life is rekindled by an upcoming television series.

C.O. Bigelow, established in 1838 as a traditional apothecary on Sixth Avenue, has evolved over the centuries. Beyond its pharmaceutical roots, the establishment now offers a diverse range of in-house products spanning beauty, wellness, and lifestyle categories. Among these offerings are the very flat-band tortoiseshell headbands that Bessette-Kennedy frequently used to stylishly manage her golden-blonde hair, solidifying the store's unexpected link to fashion history.

The current wave of nostalgia for Carolyn Bessette-Kennedy, often referred to as CBK, has reached a peak with the impending release of 'Love Story: John F. Kennedy Jr. & Carolyn Bessette.' This new series, scheduled to premiere on FX and stream on Hulu, is expected to bring Bessette-Kennedy's life and sartorial choices back into the spotlight. While it's uncertain whether actress Sarah Pigeon, cast as Bessette-Kennedy, will feature the headbands in the show, their continued availability at C.O. Bigelow makes them an easily accessible piece of her iconic style.

A representative from C.O. Bigelow confirmed that Bessette-Kennedy was a loyal customer. The store offers the headband style she popularized in two variations: a classic thicker band, similar to the one seen in many famous paparazzi photographs, and a more slender version. Both styles are available in a variety of shades, including classic tortoise, Tokyo (a blend of beige and white), demi-blonde (a yellowish-beige), bone, and leopard print, with prices ranging from $20 to $30.

While only a select number of headband designs are listed on C.O. Bigelow's official website, the company has indicated that it accepts phone orders, a charmingly retro approach that aligns perfectly with the '90s aesthetic embraced by many of Bessette-Kennedy's admirers.

The enduring appeal of Carolyn Bessette-Kennedy's style, characterized by its understated elegance and timeless quality, continues to resonate with contemporary fashion trends. The rediscovery of these specific headbands not only offers fans a piece of her wardrobe but also highlights how certain iconic accessories can transcend time and maintain their allure. This connection to a beloved fashion figure reinforces the idea that true style, like C.O. Bigelow itself, can stand the test of time, proving that some trends are indeed everlasting.

A Ballroom Escape: Unraveling Love and Self-Discovery

This story unfolds during a Valentine's Day week series dedicated to exploring various facets of love, drawing from romantic fiction. It presents a captivating narrative of unexpected intimacy and profound self-reflection, where two individuals find themselves drawn to each other amidst a social gathering.

A Chance Encounter Leads to Rooftop Revelations

The scene opens in a grand ballroom, where the narrator, feeling overwhelmed by the event, is rescued by Geoffrey. With a shared glance and a playful escape plan, they slip away from the opulent setting and find themselves on a secluded rooftop, overlooking the city lights. This impromptu adventure marks the beginning of a deeper connection. As they stand beneath the open sky, their conversation transcends the initial pleasantries, delving into the intricacies of their past romantic experiences. The narrator confides in Geoffrey about her previous long-term relationship with Alex, a journey that began in their youth and ultimately saw them grow apart. She shares the challenges of maintaining her individuality while immersed in a partnership, highlighting the struggle to reclaim her sense of self after its conclusion. Geoffrey, in turn, reveals his own vulnerabilities, confessing to a past where his dedication to his career often overshadowed his romantic commitments. Their candid exchange fosters a sense of mutual understanding and trust, building a foundation for something new and meaningful. The narrative culminates in a charged moment where unspoken desires and intentions hang palpably in the air, hinting at a budding romance that promises both challenge and profound fulfillment.

This story highlights the transformative power of vulnerability and authentic connection. It reminds us that true intimacy often blossoms in unexpected moments, when individuals are brave enough to share their deepest truths and acknowledge their past wounds. The journey of self-discovery, particularly within the context of relationships, is a continuous process of learning, growing, and redefining one's identity. Furthermore, it underscores the importance of balancing personal ambition with the nurturing of meaningful connections, a challenge many face in today's fast-paced world. The narrative suggests that even amidst the grandeur and superficiality of social events, genuine human connection can emerge, leading to profound insights and the potential for a fulfilling partnership built on understanding and mutual respect.

See More

Gainsborough's Portraits: Weaving Fashion and Society

The Frick Collection in New York City is set to present a captivating exhibition titled “Gainsborough: The Fashion of Portraiture,” running from February 12, 2026, to May 11, 2026. This marks the museum's inaugural solo exhibition dedicated to the esteemed 18th-century English artist, Thomas Gainsborough, renowned for his elegant yet insightful portraits. Following a successful display of Barkley L. Hendricks's works in 2023 that drew inspiration from Old Masters, the Frick returns to its historical roots to explore an artist who influenced both its founder, Henry Clay Frick, and contemporary artists. The exhibition, housed in the Ronald S. Lauder Exhibition Galleries, promises a fresh perspective on Gainsborough's artistry.

Curated by Peter Jay Sharp Chief Curator Aimee Ng, the exhibition aims to reintroduce Gainsborough by acknowledging the complex social fabric of his era and the significant role portraits played within it. Ng highlights that while 18th-century British paintings have sometimes been viewed through a lens of colonial wealth and aristocratic detachment, there are profound human narratives embedded within Gainsborough’s world. The exhibition will feature 25 meticulously selected portraits from Gainsborough's extensive oeuvre of approximately 700 works, illustrating how clothing and social standing were intrinsically linked during his time. Early works, such as Peter Darnell Muilman, Charles Crokatt, and William Keable (circa 1750), subtly reveal social distinctions through attire, demonstrating Gainsborough’s keen observation of societal nuances even in his initial period in the English countryside. The artist's journey from rural Suffolk to the fashionable city of Bath, and eventually to London, mirrored the increasing sophistication and grandeur of his portraiture, which ultimately attracted royal patronage.

Gainsborough's distinctive "gossamer web of sheer paint" brushwork sets him apart from his contemporaries, imparting an ethereal quality to his subjects. His correspondence reveals his unwavering belief in the importance of contemporary fashion for capturing true likeness, a stark contrast to the Royal Academy's preference for classical attire. X-ray analyses of his paintings have even unveiled instances where Gainsborough updated portraits years after completion to reflect changing fashion trends, underscoring his dedication to sartorial accuracy. Beyond aesthetic choices, Gainsborough challenged social norms through his diverse sitters. A notable pairing in the exhibition reunites Mary, Duchess of Montagu (circa 1768) with Ignatius Sancho (1768), his only portrait of a Black subject, portraying Sancho not in livery but as a gentleman. Similarly, two portraits of the controversial Grace Dalrymple Elliott, displayed together for the first time, illustrate how Gainsborough’s art could intentionally blur class distinctions, turning a courtesan into a figure of elegance and sparking debate among critics. An accompanying exhibition, “Ruffles & Ribbons: Fashion Plates from the Time of Marie Antoinette,” will further explore the international influence of French fashion during the late 18th century, adding another layer to the understanding of Gainsborough’s art. Ultimately, the exhibition celebrates Gainsborough’s enduring appeal, rooted in his unparalleled brushwork and his ability to capture the essence of an evolving society.

This exhibition reminds us that art is a dynamic mirror of society, reflecting not only aesthetic trends but also the deeper human experiences and social structures of its time. Gainsborough’s commitment to capturing contemporary fashion in his portraits, even against established artistic conventions, speaks to the power of authenticity and relevance in creative expression. By showcasing the intricate relationship between attire, identity, and social standing, his works encourage us to look beyond superficial appearances and appreciate the nuanced stories woven into every brushstroke. Such a perspective fosters a greater understanding of history, humanity, and the timeless significance of individual lives, urging us to embrace diversity and recognize the richness in every narrative.

See More