Architecture News

Es Devlin's groundbreaking solo exhibition, "Other Worlds," at the Design Museum in London, encapsulates three decades of the artist's imaginative and diverse practice. From a vast, rotating literary sculpture to intricate stage designs and thought-provoking installations, the retrospective invites visitors into the creative universe of one of the most influential designers of our time. This immersive presentation not only highlights Devlin's significant contributions to the fields of art and performance but also offers a rare glimpse into her personal creative process.

Artist Es Devlin Unveils Retrospective at London's Design Museum

On October 2nd, 2026, the Design Museum in London opened its doors to "Es Devlin: Other Worlds," the first major European retrospective dedicated to the acclaimed artist and designer. The exhibition, running until April 4th, 2027, is curated by Johanna Agerman Ross, Danielle Thom, and Margherita Dosi Delfini, in close collaboration with Es Devlin and her studio.

A centerpiece of the exhibition is "An Infinite Library," a mesmerizing, eight-meter-wide triangular bookshelf that gracefully rotates above a circular mirror. This monumental sculpture houses over 2,000 books, some sourced directly from Devlin's own studio, including notable titles like James Gleick's "Chaos," Toni Morrison's "Beloved," and Margaret Atwood's "Oryx and Crake." The books are meticulously arranged by color, adding a striking visual dimension to this literary archive. Projections animate the shelves, while Devlin's own voice reads excerpts, creating an auditory and visual spectacle in the exhibition's final room.

The journey through Devlin's creative evolution commences with a meticulous recreation of her South London studio. This intimate space, filled with books, maquettes, drawings, tools, and paint-splattered desks, offers a profound insight into her working methods and inspirations. From this personal起点, the exhibition traces the development of her renowned works, spanning theatrical sets, museum installations, and grand concert stages.

Further into the galleries, a series of concentric desks display an extensive archive of drawings, photographs, and more than 30 models from Devlin's design process. Highlights include conceptual works for "The Lehman Trilogy," the London 2012 Olympics closing ceremony, and "Forest of Us" in Miami. Visitors can observe how initial sketches and collages from her school years evolved into large-scale projects that commanded arenas, demonstrating the enduring power of her foundational ideas.

The exhibition also features a captivating reinstallation of "Come Home Again," a work previously showcased outside Tate Modern four years prior. This installation, with its intricate cut-out drawings of endangered species, once illuminated a structure resembling a section of St Paul’s Cathedral’s dome. At the Design Museum, it finds a new context beneath a mirrored ceiling, which dramatically alters the perception of its dense imagery of moths, birds, and plants. This library installation follows three previous sculptural libraries created in Milan, Miami, and Yorkshire, marking the first time this series has been housed within a museum setting. Following the exhibition's conclusion, the books, generously provided by Penguin Random House UK, will be donated to local schools and charities, extending the project's impact beyond the museum walls.

Es Devlin's "Other Worlds" is more than just an exhibition; it is an invitation to explore the boundless creativity of a visionary artist. It highlights the intricate connections between personal inspiration, meticulous process, and monumental realization, offering a rich and contemplative experience for all who visit. The retrospective underscores Devlin's unique ability to transform space, light, and narrative into profound and memorable artistic encounters.

This exhibition serves as a powerful reminder of the profound impact art and design can have on our perception of the world. Devlin's ability to blend literature, architecture, and technology to create immersive experiences challenges conventional boundaries and inspires a deeper engagement with both personal narratives and global issues, such as environmental conservation. The commitment to donating the books after the exhibition further exemplifies the project's dedication to community and the enduring power of knowledge and creativity.

Studio Téré has masterfully reinvented a mid-20th-century railway signal box, giving it a renewed purpose as a public gathering space. This project, named L’Aiguilleuse, is situated within the recently developed Jardins de l’Estuaire on the Île de Nantes, France. Once a crucial component of the Nantes-État railway network, overseeing train movements, the structure endured as a distinctive relic of the region’s industrial past even as the surrounding rail infrastructure faded. Instead of demolishing it, the initiative sought to repurpose the building, integrating it into the urban fabric as a place for social interaction, relaxation, and refreshments. Spanning a modest 36 square meters, the interior is dedicated to the kiosk-bar's operations, with visitor engagement primarily occurring outdoors.

The transformation by Studio Téré is characterized by its thoughtful and discernible modifications. The ground level of the structure now features expansive openings, with three facades equipped with bi-fold windows and retractable metal shutters. These elements reveal the service counter and effectively convert the building into an open pavilion that seamlessly connects with the adjacent park. A striking red-orange hue accentuates the metalwork, joinery, and facade lettering, enhancing the building’s visual presence. Prominent painted lettering further contributes to the site’s new identity. Importantly, the design retains several original features of the former signal box, including its clock and railway signaling lights, linking its contemporary use to its rich historical context.

As evening descends, the upper section of L’Aiguilleuse emanates a soft glow, serving as a beacon within the park. The conceptualization of this new venue was a collaborative effort, shaped by public consultations with local residents and prospective users. The name 'L’Aiguilleuse' not only pays homage to the historical railway signal operators but, through its feminine form, also contributes to broader initiatives promoting the feminization of public place names. By transforming this once-technical structure into a vibrant public hub, L’Aiguilleuse establishes itself as a significant urban landmark in a district undergoing profound revitalization.

This innovative architectural endeavor exemplifies how historical structures can be reimagined to serve contemporary community needs, preserving the past while embracing the future. It underscores the value of adaptive reuse in fostering sustainable urban development and creating spaces that inspire connection and celebration of local heritage. The project stands as a testament to the power of design to revitalize forgotten spaces, turning them into vibrant focal points for public life.