Building materials

Fiat Multiplina Concept: A Modern Electric Tribute to the 1956 Multipla

Fiat's Multiplina concept, unveiled at the 2026 Paris Motor Show, is a vibrant homage to the original 1956 Fiat 600 Multipla. This tiny electric four-seater challenges conventional automotive design by maximizing interior space within a minimal footprint. Measuring just over three meters in length, the Multiplina embodies Fiat's historical ingenuity in creating compact, efficient urban vehicles. Its cheerful orange and cream two-tone paint scheme, rounded body, and retro-futuristic details celebrate the charm of its predecessor while embracing the future of electric mobility. The concept highlights a persistent question in car design: how to offer ample passenger room while occupying the least possible road space, making it a thoughtful response to modern urban transportation needs.

Fiat Debuts Multiplina Concept at 2026 Paris Motor Show

At the prestigious 2026 Paris Motor Show, the renowned Italian automaker Fiat unveiled its innovative Multiplina concept. This unveiling represents a significant step in Fiat's commitment to sustainable and compact urban mobility. The Multiplina, a diminutive electric vehicle designed to comfortably seat four passengers, draws profound inspiration from the legendary 1956 Fiat 600 Multipla. This new concept, spanning a mere 3.04 meters (approximately 9.8 feet) in length, showcases Fiat's enduring philosophy of maximizing utility and space efficiency within a compact form factor.

The vehicle's exterior is a delightful blend of nostalgia and modernity. Its rounded, almost continuous volume is accentuated by a cheerful orange bodywork that features gently inflated surfaces and minimal overhangs. A striking cream-colored upper section elegantly wraps around the windows, extending towards the front, creating a distinctive two-tone aesthetic. The wheels are strategically positioned close to the vehicle's corners, a design choice that enhances the perception of a generously sized cabin relative to the car's overall dimensions. Retro-inspired, color-coordinated wheel covers pay homage to Fiat's historic small cars, while sleek, rectangular LED headlights introduce a contemporary touch to its otherwise classic appearance.

Several design elements directly link the Multiplina to its 1956 ancestor. The front fascia features subtle horizontal lines reminiscent of the original Multipla's iconic 'moustache' grille. Similar ribbed detailing can be observed across the rear hatch, further cementing this historical connection. Vertical oval taillights frame the rear, leaving the central surface largely uninterrupted. Expansive side windows offer a glimpse into the interior, revealing striped seating that hints at comfort. A rolled fabric roof adds another charming, familiar touch, echoing Fiat's open-air city car heritage.

Despite its modest exterior dimensions (1.4 meters wide and 1.53 meters high), the Multiplina ingeniously accommodates four occupants across two rows. This impressive interior packaging is facilitated by an upright windshield and a short front end, dedicating most of the vehicle's length to the passenger compartment. The design emphasis on interior volume is further reinforced by the long side windows and the car's simple, upright silhouette.

Underneath its charming exterior, the Multiplina is built upon a fully electric L7 heavy quadricycle architecture. This European vehicle classification positions it as a versatile option, bridging the gap between lightweight urban vehicles and conventional passenger cars. Fiat envisions this proposed category as a 'Multi-Purpose Quadricycle,' offering the nimbleness of a microcar with the practicality of four seats. While specific details regarding battery capacity and driving range are yet to be disclosed, the Multiplina is poised to offer enhanced versatility compared to Fiat's smaller two-seat Topolino.

The Multiplina concept is an integral part of Fiat's broader strategy for micromobility, which includes models like the Topolino and the three-wheeled Tris. Positioned uniquely within this family, its four-seat configuration makes it suitable for more passengers, while its compact dimensions remain ideal for navigating bustling city streets and finding parking in limited spaces. Fiat anticipates the Multiplina will be particularly well-suited for short journeys and urban commuting, offering a practical and efficient alternative to larger, often excessive, conventional cars.

The Fiat Multiplina concept is more than just a car; it's a statement about the future of urban transportation. It eloquently demonstrates how much utility and character can be packed into a small footprint, offering an approachable and slightly eccentric yet highly practical solution to modern urban mobility challenges. While it remains a concept for now, its thoughtful proportions and intelligent design make a compelling case for the continued relevance and evolution of the microcar in our increasingly crowded cities.

The Fiat Multiplina concept represents a thoughtful and refreshing approach to urban mobility. In an era where many vehicles are growing in size, Fiat's commitment to compact, efficient, and characterful design is particularly commendable. This concept highlights the enduring relevance of microcars, proving that practicality and passenger comfort need not be sacrificed for a smaller footprint. From a journalist's perspective, the Multiplina is not just a nod to the past but a bold step into the future, offering a viable solution for sustainable and enjoyable city driving. It encourages us to rethink what a car truly needs to be in an urban environment, prioritizing space efficiency, electric power, and a touch of joyful design.

Edra Magazine Issue 6: Illuminating Design Through Light and Materiality

This article explores the core themes of the sixth issue of Edra MAGAZINE, focusing on how illumination and chosen materials are integral to shaping interior and architectural environments. It highlights Edra's innovative approach to design, where furniture not only occupies space but actively transforms it through its interaction with light.

Illuminating Spaces: The Synergy of Light and Edra's Vision

The Foundational Concept: Light as a Shaping Force in Design

Ralph Waldo Emerson once noted that one could understand an individual by examining their literary collection, suggesting books offer a window into their intellect and perspectives. Similarly, Edra MAGAZINE's sixth volume posits that light functions as a fundamental element in understanding and experiencing spatial design. This publication, more akin to an essential reference work than a standard catalog, draws a compelling parallel: just as light breathes life into spaces and molds their atmosphere, so too does thoughtfully designed furniture.

Edra's Design Philosophy: Embracing Light as Inspiration and Tool

For decades, the distinguished Italian design house, Edra, has integrated light into its creative ethos, both as a muse for its furniture collections and a practical tool in its crafting processes. The textiles, polymers, crystalline elements, reflective surfaces, and metallic components utilized in their pieces are engineered to absorb, reflect, and amplify light. This deliberate interaction profoundly influences how colors are perceived and how spatial depth is experienced. This enduring relationship, coupled with a deep inquiry into light's role in shaping our perception of environments, underpins the dedication of Edra's sixth printed edition to this indispensable element.

A Curated Journey Through Light and Form

Under the editorial guidance of Laura Arrighi and the graphic and photographic direction of Stefano Pasqualetti, this volume unfolds across its pages as a meticulously curated collection of architectural settings. In these spaces, the interplay of light and Edra's furnishings imbues profound meaning, delineating the unique character of each location. The magazine further enriches its exploration of light by featuring insights from renowned figures such as Jacopo Foggini and Francesco Binfaré, complemented by essays from Pierluigi Masini on art and Silvana Annicchiarico on the relationship between light and the Edra collection.

Thought-Provoking Contributions and Enduring Reference

Additional voices, including writers Patrizia Piccinini, Chiara Pasqualetti Johnson, and Jasmin Jouhar, alongside architect and designer Chiara Tassano, complete this publication. It is thoughtfully conceived not only to stimulate contemplation but also to serve as a lasting resource, perfectly suited to adorn a coffee table or a prominent bookshelf, inviting continuous engagement and reflection.

Exemplary Spaces: Where Light Meets Edra Furnishings

A dedicated section within the magazine showcases a series of expertly photographed examples of actual spaces, where the two pivotal elements of the publication—light and Edra furniture—take center stage. The journey commences at Swarovski Kristallwelten in Wattens, a locale where crystal ingeniously transforms light within a contemporary interpretation of a wunderkammer. The narrative then shifts to Ca’ del Bosco, a winery in Franciacorta, where the radiant glow from glass bottles spectacularly illuminates a grand dome. The next destination is the Italian Embassy in Berlin, an environment bathed in abundant natural light, where Edra's contemporary furnishings seamlessly integrate, adding a modern dimension to the interiors.

Residential Elegance: Nature, Stone, and Brutalism Transformed by Light

Transitioning to the realm of residential architecture, the magazine spotlights three distinct homes. One is situated in Saint-Tropez, epitomizing a seamless indoor-outdoor connection that serves as a model for designs deeply intertwined with natural surroundings. Another is a rural dwelling in Ostuni, crafted from stone, where its pristine white walls harmoniously contrast with the adjacent olive groves. The third, a Brutalist villa in Ibiza, presents a striking juxtaposition between the starkness of concrete and the expansive, picturesque seascape beyond, illustrating diverse interpretations of light's interaction with varied architectural styles.

Milestones and Cultural Impact: Edra's Presence and Artistic Collaborations

The magazine subsequently recounts Edra's notable involvement as an Official Partner of CONI at Casa Italia Milano Cortina 2026, a collaboration that commenced in 2016. The brand's profound cultural dimension is further illuminated by the Edra Evening of Honour, a special event held at Teatro alla Scala in Milan, dedicated to the renowned Campana Brothers. On April 23, 2026, this event conjured an ethereal, suspended realm on the historic stage, where the fusion of music, dance, and Edra's exquisite furniture culminated in a remarkable artistic performance.

Showcasing Collaborations and Future Visions at Palazzo Durini

Concluding its exploration, the magazine provides an overview of the most recent endeavors at Edra Palazzo Durini in Milan and its neighboring areas. Here, Edra’s valued collaborators are brought into the spotlight through their diverse exhibitions, insightful publications, and thoughtful reflections, underscoring the collective creativity and innovation fostered by the brand.

The Metaphor of Illumination: Guiding Future Design

Designed as a tactile publication destined for the bookshelves of design enthusiasts globally, this issue artfully constructs a metaphor. While light is commonly associated with the spark of insight and discovery, within these pages and the environments they portray, it is meticulously captured and articulated. Light acts as an essential tool in artisanal creation, working in concert with Edra's furnishings to sculpt ambiances and define places. Beyond the printed medium, this publication extends that illuminating influence, casting a guiding glow towards the architects, designers, and artisans who will conceive the collections of tomorrow, fostering ongoing innovation and creative exploration.

See More

Emma Sicher's Biomaterial Innovations: Cultivating the Future of Sustainable Design

Emma Sicher, a Berlin-based biodesigner, is spearheading innovative material development by harnessing the power of microbial growth. Her research centers on cultivating bacteria and yeast to produce microbial cellulose, a versatile substance she transforms into a diverse range of items. From delicate, transparent packaging to novel edible food concepts, Sicher's creations exhibit an extraordinary spectrum of hues and tactile qualities, all achieved through the natural process of fermentation. This biological transformation allows microorganisms to actively contribute to the material's inherent characteristics.

Central to Sicher's methodology is the utilization of SCOBY, a symbiotic culture of bacteria and yeast often recognized from kombucha production. As these microbial communities flourish within a nutrient-rich liquid, cellulose-generating bacteria form a gelatinous film on the surface. This film can then be harvested and further processed into flexible sheets or molded into various shapes for both culinary and material applications. In her 'EATING SCOBY' initiative, Sicher delves into the gastronomic potential of this cellulose-rich membrane. Collaborating with food microbiologists and consulting with culinary experts, she has developed prototypes such as SCOBY chips, offering a satisfying crunch that transitions to a chewy, jelly-like consistency, and an inventive ice cream cone that could feature a melted chocolate lining. Her double-flavored popsicles, reminiscent of blended aloe vera, aim to introduce this unusual ingredient into familiar food formats, expanding our perceptions of texture and presentation while exploring its role in future food systems.

Sicher's commitment to sustainable design began with her 2017 project, 'From Peel to Peel', which focused on creating biodegradable food packaging from discarded fruit and vegetable waste. Apple peels and beetroot scraps served as nourishment for microbial cultures, resulting in thin, wrappable sheets and small containers. The final product's color varied based on the initial ingredients, from soft yellows to vibrant pinks. Although the material's moisture absorption limits its use for conventional wet food packaging, this project laid the groundwork for Sicher's ongoing approach: allowing natural biological processes to dictate a material's properties from its inception. Moving forward, Sicher has investigated growing materials using local microorganisms. Her 2026 research involved utilizing Berlin's foraged rowan berries and Brandenburg's mirabelle plums to successfully produce cellulose membranes through fermentation, bypassing traditional kombucha starter cultures. These experiments, coupled with insights from Thai fermentation practices, highlight how regional flora and microbial populations can introduce unique biological variations into cultivated materials, a level of specificity challenging to replicate through standardized manufacturing.

Through her work, Emma Sicher emphasizes a collaborative design approach where living organisms are active partners in creation. Her workshops, such as those at Elisava School of Design and Engineering, empower participants to cultivate their own SCOBY membranes and explore the transformative effects of processing on cellulose. By thoughtfully selecting plant inputs and optimizing the growth environment, Sicher guides the microbial process, yet acknowledges the autonomous role of microorganisms in shaping the final material. This symbiotic relationship between human intention and natural biological interactions offers a compelling vision for a future where ecological principles are intricately woven into the fabric of design, leading to innovative and harmonious solutions for both consumption and environmental stewardship.

See More