The Sharjah Architecture Triennial (SAT) recently made available the complete documentary collection from its project titled "A Journey into Architecture Archives: Baghdad, Damascus, Tunis" for online viewing. This significant undertaking, guided by curator George Arbid, forms an integral part of SAT's ongoing endeavors to chronicle and safeguard architectural legacies throughout the Arab region. The three cinematic pieces, recorded amidst the historic urban landscapes of Baghdad, Damascus, and Tunis, merge in-depth archival investigations with on-site studies and personal accounts, illustrating the intricate processes through which architectural histories are shaped, maintained, and continuously re-examined.
Sharjah Architecture Triennial Illuminates Middle Eastern Architectural Heritage
On September 28, 2026, the Sharjah Architecture Triennial (SAT) released a series of compelling documentaries, part of its "A Journey into Architecture Archives" project, shedding light on the architectural narratives of Baghdad, Damascus, and Tunis. Curated by the distinguished George Arbid, this initiative expands upon the foundations laid by the 2023 edition, which explored Beirut, Cairo, and Rabat, reinforcing SAT's dedication to creating a comprehensive archival network for the Arab world.
These films delve into the intricate layers of architectural history from the 1930s to the 1980s, a period marked by significant civic ambition and experimental design. The exploration, presented as an exhibition titled 'Collection Room' at the Al Qasimiyah School from May 2 to July 12, 2026, moved beyond traditional displays. It became a sustained, research-driven engagement with archival materials, emphasizing their critical role as repositories of collective memory and architectural knowledge, especially in regions facing political and material instability.
The exhibition showcased an array of artifacts, including hand-drawn designs, documents, historical photographs, and meticulously crafted 3D-printed models. Notable exhibits included records of the Hôtel du Lac in Tunis by Raffaele Contigiani, the Baghdad Mayoralty Building by Hisham Munir, and experimental cinema structures in Damascus. These diverse examples underscored not only the architectural evolution but also the socio-political and economic forces influencing design trajectories across these cities.
George Arbid, the project's curator and founding director of the Arab Center for Architecture in Beirut, articulated a profound vision: to build an enduring and accessible architectural archive for the region. He emphasized that in times of conflict, the mission transcends merely presenting history; it involves safeguarding the narratives and ensuring these archives are actively utilized for education, research, and personal discovery, offering nuanced insights into the past, present, and potential futures of the built environment.
The project also featured an engaging public program on May 2, including an online lecture by Arbid, followed by a panel discussion and Q&A session. Participants such as Salma Gharbi, Zaid Issam, Ahmad Salah, and Ola Seif contributed their perspectives on the complexities of working with architectural archives, enriching the dialogue around preservation and accessibility. This public engagement is central to SAT's broader objective of nurturing research and discourse on architectural heritage in the Arab world.
The Sharjah Architecture Triennial's continuous efforts to document and celebrate architectural heritage are crucial. This project, with its multi-scalar approach, not only enriches academic understanding but also fosters a deeper appreciation for the architectural legacies that define the identity of these vibrant cities. It serves as a powerful reminder of architecture's role in reflecting societal aspirations and resilience, particularly in regions navigating complex historical and contemporary challenges.
This initiative by the Sharjah Architecture Triennial extends beyond mere academic pursuit; it is a profound act of cultural preservation. By meticulously documenting architectural archives from Baghdad, Damascus, and Tunis, the project not only secures invaluable historical data but also ensures that future generations can learn from and be inspired by the rich tapestry of architectural innovation and adaptation in these cities. In a world often preoccupied with the new, this focus on heritage reminds us that understanding our past is essential for building a meaningful future. It underscores the critical responsibility we have to protect and activate our collective memory, particularly in regions where cultural heritage faces ongoing threats.
