Architecture News

Czech artist Matyáš Chochola is making waves at Frieze Sculpture 2026 in London, where his three extraordinary 3D-printed concrete sculptures—BRUTALIST, METEOR, and MACE II—are captivating audiences. These imposing artworks, on view in the picturesque Regent’s Park until November 1, 2026, represent a compelling fusion of cutting-edge technology and artisanal craftsmanship. Chochola’s creative process involves digital modeling, robotic fabrication, and intricate hand-finishing, resulting in pieces that intertwine architectural elements, classical references, science fiction aesthetics, and unexpected forms.

Artist Matyáš Chochola Unveils Innovative 3D-Printed Concrete Sculptures at Frieze Sculpture 2026 in London

In the vibrant heart of London, at the esteemed Frieze Sculpture 2026 exhibition in Regent’s Park, Czech artist Matyáš Chochola is presenting a groundbreaking collection of three 3D-printed concrete sculptures: BRUTALIST, METEOR, and MACE II. These monumental works, which stand approximately three to four meters tall and weigh around one ton each, are on public display until November 1, 2026.

Chochola's creations are an integral part of his larger series, titled "Virtues and Vices of Our Time: 300 Years Later." This series offers a contemporary reinterpretation of the Baroque allegories originally embodied in Matthias Bernard Braun’s iconic "Virtues and Vices" sculptures, crafted three centuries ago for Kuks Hospital in eastern Bohemia. Unlike Braun's sandstone figures, which are now preserved indoors with concrete replicas gracing their original outdoor sites, Chochola’s twelve-work collection draws inspiration from a diverse range of influences, including Antiquity, Cubism, Brutalism, mythology, science fiction, and contemporary popular culture.

Developed in collaboration with Czech firm Voxell, Chochola’s artistic methodology is a testament to innovation. It intricately blends robotic fabrication with manual intervention through 3D concrete printing. The printing process itself is dynamic and sophisticated, employing varied orientations, non-planar paths, and significant overhangs bolstered by lightweight clay aggregate, alongside deliberately programmed irregularities. Following the initial printing, each concrete sculpture undergoes a meticulous finishing process, including grinding, carving, and polishing. Hand-applied additions of glass, bronze, brass, and pigments further enhance their unique aesthetic, transforming them into a harmonious blend of digital precision and human artistry.

The three sculptures exhibited at Frieze Sculpture, BRUTALIST, METEOR, and MACE II, form what Chochola describes as a 'solemn triad.' BRUTALIST masterfully deconstructs a classical column, integrating elements of Brutalism, the Memphis Group's aesthetic, twentieth-century architecture, and futuristic cinematic visions. METEOR bridges the gap between classical architectural forms and cosmic and geological phenomena; it is inspired by Tomanowos, a revered meteorite known to the Chinook people, and features hand-embedded glass shards that shimmer within its concrete surface. MACE II, an evolution of its predecessor MACE I, is a striking piece that references Brutalist architecture, fantasy, and 1980s science fiction. Its sharply angular structure evokes both a formidable weapon and a futuristic technological relic, finished in anthracite-tinted concrete with a metallic copper powder coating.

These sculptures are strategically placed amidst the lush trees and winding paths of Regent's Park. Curated by Fatoş Üstek, Frieze Sculpture 2026 invites viewers to explore a 'vibrant hybrid ecology,' fostering a dialogue between the art and its surrounding natural and public environment.

Matyáš Chochola’s works remind us that art is a continuous conversation across time and media. By reinterpreting historical allegories with modern tools and materials, he challenges our perceptions of tradition and innovation. His sculptures invite contemplation on how contemporary art can embody layers of meaning, drawing from the past, embracing the present, and envisioning the future. This exhibition exemplifies the enduring power of sculpture to transform public spaces and engage diverse audiences in a profound and thought-provoking manner.

A ground-floor residence in Athens' Kolonaki neighborhood has been thoughtfully transformed into the first permanent creative hub for the Greek studio Local Local. The conversion emphasizes a delicate touch, ensuring that the original architectural essence of the apartment is maintained throughout the redesign process.

This adaptive reuse project involved non-structural modifications to the leased premises. The studio undertook careful restoration of the existing wooden floors, brightening them, while walls were given a fresh coat of white paint. The distinctive rippled-glass doors were refurbished in a deeper hue, and the charming arched entrance was preserved. The interior layout follows an L-shaped configuration, primarily organized around a central work area and a dedicated meeting space, which previously served as a bedroom. Furnishings are a thoughtful combination of existing pieces and bespoke creations, including a substantial co-working table crafted from solid cypress by a relative of architect Sofia Xanthakou, alongside two workstations positioned by the windows, blending solid wood with Formica. Original office chairs complement the newly introduced items.

The studio's interior is further defined by carefully curated elements, with books playing a significant role. A Vitsoe shelving system proudly displays Xanthakou's extensive library, a collection amassed during her architectural studies and professional experiences in Boston and London. Illumination is provided by elegant Michael Anastassiades ceiling fixtures, while a custom-designed perforated metal panel spans a wall, serving as a pistachio-colored pinboard for collaborative ideation, encouraging discussions away from digital screens. At the entry, two unique marble sculptures by artist Theodore Psychoyos create both a console and a seating arrangement. The meeting room retains its original wardrobe, whose doors have been removed and replaced with roll-up blinds, offering practical open storage for material samples and documents. A freestanding Michael Anastassiades light fixture adds a final touch to the space.

This innovative design by Studio Local Local stands as a testament to the power of thoughtful renovation, demonstrating how existing structures can be revitalized to serve new purposes while honoring their inherent charm. It's a prime example of how creative vision, combined with respect for heritage, can lead to functional and aesthetically pleasing environments that inspire productivity and collaboration. The project not only provides a dynamic workspace but also subtly advocates for sustainable practices through adaptive reuse, showcasing that the most impactful transformations often stem from a respectful dialogue with the past.