Building materials

Gjenreis: Reimagining Architectural Flexibility with Upcycled Bricks

Harnessing the potential of discarded building materials, Oslo Metropolitan University students Ariel Hammer and Åshild Limstrand have introduced "Gjenreis" – a novel modular construction approach. This system re-envisions the integration of reclaimed bricks into modern interior settings. Showcased at the "Built by Design" exhibition, part of the 3daysofdesign event, their work challenges traditional demolition methods by viewing existing buildings as valuable repositories of resources. This approach champions the concept of 'rebuilding' by extending the operational life of materials.

The Gjenreis system, a product design bachelor's thesis, translates to 'rebuild' in Norwegian, and is specifically engineered for reclaimed bricks, eliminating the need for traditional mortar. This allows for effortless assembly, disassembly, and reconfiguration, aligning with circular construction principles and promoting prolonged material utility. Its design caters to environments demanding adaptability, such as dining establishments, hotel lobbies, and open-plan offices, enabling the creation of temporary or adjustable internal dividers. The project accentuates the unique characteristics of aged bricks, celebrating their wear and previous narratives. These weathered surfaces are thoughtfully paired with precision-crafted wooden elements, which provide a compelling visual contrast while facilitating the modular arrangement.

The "Built by Design" exhibition, where Gjenreis was featured, served as a platform for OsloMet students to explore the evolving role of designers in shaping architecture. Through various projects, including Gjenreis, the exhibition delved into themes of material recovery, innovative construction techniques, and circularity, applying these concepts across diverse materials like wood, wool, aluminum, and stone. This collective endeavor presented a spatial mosaic of prototypes and material systems, prompting reflection on how materials can be reconsidered and integrated into new architectural paradigms. It also underscores the designer's crucial role in resource stewardship and the construction process, fostering a more sustainable future.

Laila Gohar: Transforming Everyday Ingredients into Whimsical Art

Artist Laila Gohar has carved a unique niche by transforming ordinary ingredients into captivating and imaginative works of art. Through her diverse projects, she not only showcases culinary skill but also reinterprets the essence of food as a medium for artistic expression. Gohar's creations, whether miniature butter sculptures reminiscent of classical antiquity or colossal edible installations, consistently challenge perceptions and invite viewers to engage with food in novel ways. Her whimsical approach injects a playful spirit into the culinary world, turning meals into memorable experiences and everyday components into sources of wonder.

Laila Gohar's Culinary Artistry: A Journey Through Whimsy and Deception

In a fascinating intersection of gastronomy and art, Laila Gohar consistently delights and surprises her audience by re-imagining common food items. From her insightful contributions to the Financial Times column, where she delves into the intricacies of hosting with "snack-sized bites" of wisdom, to her evocative pieces that celebrate tinned fish, Gohar's work is a testament to her profound connection with food. In 2022, her article, "Yes, we can! An ode to the anchovy, and other tinned-fish wonders," beautifully intertwined personal narratives, such as her Egyptian childhood and a Spanish romance, with detailed observations on culinary delights like the exquisite bonito del norte tuna.

One of Gohar's most striking and recurring motifs is the butter sculpture. Utilizing butter's unique pliability, she molds it into classical forms that evoke ancient marble or melting wax. Her creations include elegant Ionic columns, graceful female figures, and intricate fragments of Michelangelo's David, all rendered in the silky, off-white hues of dairy. These ephemeral sculptures, often showcased in her compositions, temporarily disguise the butter's true nature before it fulfills its delicious destiny as a spread on rye bread.

Beyond the delicate realm of butter, Gohar ventures into large-scale installations, famously demonstrated at the 2026 Milan Design Week. Collaborating with clothing brand ARKET, she unveiled a fantastical spinning carousel. Instead of traditional carousel animals, visitors could perch on oversized, vibrant produce like purple cabbages, radishes, and eggplants, experiencing a whimsical whirl through the Giardino delle Arti. Earlier, for a Sotheby's event, she crafted enormous cakes shaped like apples and roses, blurring the lines between dessert and surrealist painting. This manipulation of scale is a signature element in her work, transporting observers to a fantastical realm reminiscent of Alice in Wonderland's enchanted edibles.

Gohar's artistry also extends to trompe-l'œil creations that play with perception. She once presented a remarkably lifelike lobster cake, its speckled red shell so convincing that only a flickering candle on its back betrayed its confectionary identity. For a special display of her mother-of-pearl spoon sets and bean dishes, crafted by an artisan atelier in Vietnam, she arranged them against a serene powder blue backdrop adorned with delicate meringue swans. This animates her table settings, turning prepared meals into living, breathing artistic statements.

Perhaps one of her most iconic works, which resonates with the popular "Is it cake?" phenomenon, appeared at Sotheby's Contemporary Art Exhibition in Paris in 2022. Here, Gohar created two bright red chairs, initially appearing as standard meeting room furniture upholstered in chenille. Yet, upon closer inspection, or rather, upon slicing, it was revealed that the cushions and backrests were, in fact, frosting-filled confections. This technique of artful deception is a recurring theme. She has fashioned towers from prawns for Galeries Lafayette Champs-Élysées, a shimmering gelatine fish for Simone Rocha, and snack-laden plinths for Hermès. Each piece, when finally cut open to reveal its sweet interior, evokes a sense of awe and delightful surprise.

Laila Gohar's innovative approach subverts traditional expectations of food, treating it not merely as sustenance but as a rich and versatile artistic medium. Her unique methodology transforms culinary experiences into conversations, inspiring joy and redefining the boundaries of craft. Through her ingenious use of ingredients, she creates a world where a simple meal can ignite imagination and spark delightful discussions around the table.

Laila Gohar's artistic journey offers a profound lesson in seeing the extraordinary in the ordinary. Her ability to elevate simple ingredients to complex, thought-provoking art challenges us to reconsider our perceptions of everyday objects and experiences. It reminds us that creativity knows no bounds and can manifest in the most unexpected forms, transforming the mundane into the magical. Her work is a vibrant invitation to embrace whimsy, to question what we see, and to find beauty and delight in every corner of life, especially at the dinner table.

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PLAT ASIA's Community Hub in Beijing: A Central Courtyard Design

PLAT ASIA's Foresky Community Center in Beijing is an innovative architectural endeavor that reimagines communal living. Located on the South Fourth Ring Road amidst lush parklands, this facility seamlessly blends diverse functionalities into a cohesive spatial experience. The design principles of 'Gathering' and 'Return' guide its structure, emphasizing fluidity of movement and interconnectedness.

Uniting Spaces: The Foresky Community Center's Vision

A Central Hub for Diverse Community Needs

The Foresky Community Center, a project by PLAT ASIA, is strategically positioned within Beijing's Foresky residential development. This hub serves as a multifaceted neighborhood facility, encompassing a fitness center, a dedicated space for children, dining establishments, a cafe, and an art retail outlet, all harmoniously integrated within a singular architectural scheme.

Design Philosophy: Embracing Gathering and Return

The core of the center's design is built upon the concepts of 'Gathering' and 'Return,' focusing on intuitive circulation, a thoughtful sequence of spaces, and collective utility. Entry to the center is marked by a distinctive spiral staircase that descends into a secluded courtyard. This courtyard acts as the principal organizational element, around which all other functions are arranged in a circular fashion, fostering inward-facing views and establishing clear visual links between the interior zones and the exterior communal area.

Framed Volumes: Orchestrating Fitness, Dining, and Play

Architect Jung Donghyun's vision for communal interaction is actualized through a recurring motif of framed volumes. These elements not only define the aesthetic language but also serve as spatial organizers. They delineate rooms, pathways, seating areas, and vistas, crafting an interwoven network of spaces designed to encourage resident engagement. The fitness center, for instance, is structured by frames of varying dimensions and heights, accommodating reception, cardiovascular equipment, strength training, Pilates, yoga, and changing facilities. A central resting area, encircled by these programmatic elements, allows the gym to function as both an exercise venue and a social gathering point. The ceiling heights and levels of enclosure are dynamically adjusted to suit different activities, creating a spectrum of private to public conditions.

Tailored Environments: Children's Area, Restaurant, and Café

In the children's section, the framed volumes emerge directly from the floor, scaled appropriately for young users. Modules with diverse openings are strategically distributed across the open layout, while multi-directional windows facilitate visual connections and interaction. The restaurant is configured around a central bar, with dining zones radiating outwards. Varied ceiling framing differentiates between expansive communal areas and more intimate seating arrangements. Furnishings, lighting, and architectural features are all unified within this consistent framing system, ensuring a coherent spatial identity throughout the dining experience. The cafe adopts a minimalist material palette, utilizing continuous veneer surfaces to envelop the framed volumes, thereby establishing a distinct and inviting internal character.

Materiality and Ambiance: Metal, Veneer, and Landscape Integration

The Beijing Foresky Community Center by PLAT ASIA masterfully employs lighting, material selection, and circulation paths to enhance distinct spatial atmospheres. Brighter color temperatures are utilized in the children's center to foster a vibrant and energetic environment, whereas cooler tones in the gym create a more tranquil and homely feel, diverging from typical commercial fitness settings. The framed volumes are constructed from a blend of metal structures, fabric, modular components, and veneer. The metal frames lend an airy and permeable quality to the gym and restaurant, while more enclosed surfaces in the children's center and cafe contribute to a softer and warmer ambiance. Stainless steel components were chosen to align with the building's exterior facade, creating a seamless transition between the indoor and outdoor realms.

Connecting Indoors with Nature: Landscaping Elements

The integration of landscape elements extends into the interior, where lush greenery, natural rubble, and wood fragments are woven into the floor surfaces and circulation routes. These natural materials serve to connect the interior spaces with the surrounding garden, reinforcing the project's core emphasis on community gathering and shared outdoor experiences.

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