Building materials

Hermès Beijing Flagship: A Fusion of Digital Craft and Terracotta Tradition

Emerging in Beijing's vibrant Sanlitun area, the new Hermès flagship store commands attention with its distinctive rose-pink and terracotta exterior. This five-story structure, a visionary design by RDAI in partnership with Mamou-Mani for the facade, masterfully integrates advanced computational design with traditional ceramic craftsmanship. The result is a permeable ceramic layer that wraps around the building's glass volume, allowing natural light to permeate while creating a sophisticated visual texture. From a distance, the facade appears as a unified, warm mass, but upon closer inspection, it reveals a meticulously patterned mesh of repeated elements, demonstrating a dynamic interplay of form and material.

The facade's intricate design relies on a system of modular ceramic components, rhythmically arranged to create an undulating surface. Mamou-Mani's team engineered this layer with removable panels, ensuring both aesthetic appeal and practical maintenance. The creation of curved elements involved 3D-printed positives that served as molds, highlighting a modern approach to digital fabrication within a material language traditionally associated with handcrafted techniques. This parametric design allows the ceramic skin to feature shifting patterns, with tiles strategically pushed, pulled, and spaced to introduce varying degrees of transparency. Details like diamond and rhombic ceramic nosing add depth and texture, preventing the surface from appearing flat against the glass and imbuing the building with a sense of substantiality, shadow, and a charming, subtle irregularity.

RDAI's architectural vision for the flagship skillfully references Beijing's rich architectural heritage without resorting to literal imitation. The gently curving glazed rooflines echo the grandeur of the Forbidden City through their carefully chosen colors, profiles, and material finishes, yet the building maintains a distinctly contemporary character. The rose-pink and terracotta hues delicately allude to the traditional ceramic roofs and sun-baked masonry of historical Chinese structures, capturing their essence rather than directly duplicating their forms. This thoughtful approach ensures the roof's edge seamlessly integrates into the overall architectural language, providing a fluid silhouette that harmonizes the glass volume with the ceramic veil below. The combined effect is a cohesive system where the facade, roofline, and filtered interior light work in unison, elevating the building beyond mere decoration.

This project beautifully illustrates how digital tools can be leveraged to create a profoundly tactile experience. The facade, a product of parametric modeling and 3D printing, transcends its digital origins through the tangible qualities of ceramic—its weight, glaze, the play of light and shadow, and its repetitive yet subtly varied forms. The inherent depth and soft quality of the material prevent the coldness often associated with computationally designed facades. For Mamou-Mani, this endeavor represents a significant expansion of their fabrication-centric practice into a highly refined architectural setting. For Hermès, it transforms their flagship into an iconic building with a strong public identity. In Sanlitun, this ceramic enclosure becomes a central idea, a layered skin that not only filters the glass interior but also resonates with Beijing's architectural legacy, lending the store a warmer and more engaging presence.

Pli Office Invites Creatives to Explore Chaos at Paris Design Week 2026

Pli office, a prominent French publishing house and creative studio, is organizing a captivating exhibition titled 'Tout est Chaos' as part of Paris Design Week 2026. This unique event extends an international invitation to emerging talents across various creative fields to explore the profound and generative aspects of chaos through their work.

Embrace the Unforeseen: A Design Journey into Chaos

Unveiling 'Tout est Chaos': A Creative Summons

Pli office, under the vision of paf atelier founder Christopher Dessus, has initiated a global call for submissions for its 'Tout est Chaos' exhibition. Scheduled to coincide with Paris Design Week from September 10 to 13, 2026, this exhibition seeks to redefine chaos not as a destructive force, but as an energetic catalyst for innovation, giving rise to novel forms, narratives, and opportunities. The deadline for submissions is June 30, 2026.

'Tout est Chaos': Cultivating a Platform for Emerging Artists

Organized by Pli office, 'Tout est Chaos' aims to showcase a diverse array of contemporary works that push the boundaries of conventional order and functionality. Participants are encouraged to interpret the theme through a wide range of mediums, including furniture, objects, material explorations, collectible designs, installations, and interdisciplinary practices. Hosted at the historic La Gaîté Lyrique as a key component of Paris Design Week's city-wide programming, the exhibition offers selected participants an invaluable opportunity to present their creations to a global audience of design professionals, curators, collectors, media, and the general public.

Eligibility and Submission Criteria for Aspiring Creatives

This open call welcomes students in design, architecture, and art, as well as young designers with less than five years of professional experience. To participate, applicants must submit one object per designer, studio, or collective, complete the online registration form by June 30, and select a phrase or slogan that best encapsulates their approach and their submitted piece. A registration fee of €6 is also required.

Detailed Application Process and Key Dates

Aspiring participants can access comprehensive submission guidelines, detailed participation instructions, and eligibility criteria through the official registration platform. Projects will undergo evaluation by a panel of experts in design, architecture, and contemporary art, with the results slated for announcement on July 6, 2026. The exhibition will be held in Paris, France.

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Reimagining Obsolete Technology: An AI-Powered Payphone as the Voice of Earth

In a compelling fusion of past and future, an art installation dubbed '2147: A Voice from the Future' breathes new life into an antiquated payphone, transforming it into an interactive conduit for artificial intelligence. Conceived by Divina Machina, a digital art and design studio, and Qs Ventures, this innovative project made its debut at Sónar+D 2026 in Barcelona, following a preliminary showing at Milan Design Week 2025. The core of the installation involves repurposing a vintage Telefónica payphone, an object long past its operational prime, into a vibrant interface for real-time discussions with an AI that personifies the Earth's perspective. By maintaining the payphone's original physical form while updating its internal mechanisms, the project seamlessly integrates historical artifacts with cutting-edge technology, inviting profound reflection on our evolving relationship with communication and the environment.

This unique installation stands as a testament to how obsolete technology can be creatively reinterpreted, sparking new forms of dialogue and interaction. During its exhibition, the system engaged with a significant number of participants, recording hundreds of conversations that provided rich insights into human-AI dynamics. Visitors were observed engaging with the AI as a genuine conversational partner, demonstrating empathy and curiosity about its 'feelings' and 'identity' rather than solely focusing on its technological underpinnings. This unexpected level of social interaction, including shared laughter, highlights the installation's success in fostering meaningful exchanges without the typical visual cues of modern interfaces. The project, therefore, not only showcases technological ingenuity but also prompts a deeper contemplation of our ecological responsibilities and the potential of AI to bridge the gap between human experience and environmental consciousness.

The Rebirth of a Retro Relic: AI in an Antique Payphone

The '2147: A Voice from the Future' art piece ingeniously converts a classic Telefónica payphone from the early 2000s into a state-of-the-art interactive communication device. This installation, a brainchild of the digital art and design studio Divina Machina and Qs Ventures, was unveiled at Sónar+D 2026 in Barcelona. It follows its initial presentation during Milan Design Week 2025, continuing its mission to repurpose an outmoded telecommunications item. The physical structure of the original payphone – its casing, signage, and essential design – remains untouched, preserving its historical integrity. The true transformation lies within, where a Raspberry Pi 5 facilitates a Wi-Fi connection to the ElevenLabs platform. This setup enables dynamic voice interaction through a specially crafted AI personality. The user experience is deliberately kept simple: individuals merely lift the receiver and begin an impromptu discussion, free from any screens, menus, or visual prompts, offering a distinctively analogue yet futuristic engagement.

The AI component of the installation is programmed to respond instantly, embodying a fictionalized persona of the Earth. This design allows visitors to initiate discussions on any subject, without any predefined conversational routes. By harmonizing a familiar, tangible object with modern voice technology, the installation delves into how outdated communication tools can be imbued with novel functions while retaining their original material identity. This approach not only challenges perceptions of technological obsolescence but also highlights the potential for creative innovation within existing frameworks. The project serves as a compelling example of sustainable design, where historical artifacts are not discarded but rather reimagined, offering new pathways for engagement and meaning in the digital age. It emphasizes a return to intuitive, direct communication, mediated by advanced AI, to explore complex themes of environmentalism and technological evolution.

Human-AI Interaction: Empathy and Dialogue Through Obsolete Tech

Presented at Sónar+D, a festival celebrating digital culture and emerging technologies, the '2147' installation captivated attendees by recontextualizing a common yet forgotten public utility. The exhibit impressively logged 681 conversations, accumulating nearly fifteen hours of spoken dialogue. Remarkably, out of 505 complete interactions, only a handful of participants questioned whether they were conversing with a human or an artificial intelligence. Instead, the majority engaged with the voice as a sentient being, frequently inquiring about its name and identity, rather than its technical composition. A significant portion – about one in seven individuals – expressed concern for the AI's well-being, demonstrating empathy or offering words of solace. Furthermore, the AI's occasional laughter during conversations often elicited reciprocal laughter from participants, illustrating a spontaneous social engagement despite the absence of a visible conversational partner.

Through the clever integration of an obsolete public telephone and advanced AI technologies, '2147: A Voice from the Future' delves into the intricate connections between communication, technological progress, and ecological awareness. This installation, a collaborative effort by creative innovation studio QS Ventures and its digital art division Divina Machina, positions the payphone as both a relic of the past and a contemporary interactive medium. It explores how familiar communication devices can be reimagined through artificial intelligence to foster new dimensions of dialogue concerning the intricate relationship between humanity and the natural world. The project not only offers a nostalgic journey through a bygone era of telecommunications but also propels participants into a speculative future where technology can facilitate a deeper, more empathetic connection with our planet. This profound blend of nostalgia and innovation encourages a critical examination of our past and future interactions with both technology and the environment, urging a more mindful and interconnected existence.

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