Fashion

Inside the Vogue Business Global Summit: Chantilly

The Vogue Business Global Summit in Chantilly convened a distinguished assembly of fashion industry leaders and innovators. This premier event served as a dynamic platform for engaging dialogues on critical trends, future directions, and collaborative opportunities within the global fashion landscape. Against the magnificent backdrop of Château de Chantilly, attendees partook in a series of thought-provoking sessions, networking events, and a lavish gala dinner, all captured in a compelling visual narrative.

Vogue Business Global Summit: A Gathering of Luminaries in Chantilly

In the historic and picturesque setting of Château de Chantilly, the Vogue Business Global Summit brought together influential figures from across the fashion world. Nicole Phelps, Global Director of Vogue Business and Vogue Runway, played a pivotal role, not only in welcoming guests but also in leading discussions that shaped the summit's intellectual agenda. The event drew an impressive roster of attendees, including Willy Chavarria, a prominent designer known for his bold aesthetic, and Meryll Rogge and Stefano Rosso from Marni, who offered insights into the brand's creative and strategic vision. Tiffany Slavin, COO of JTG Ventures, contributed to conversations on business innovation, while Carolyn Batista Gray and Andrew Lister of Purple PR, alongside Elektra Kotsoni, Deputy Director of Vogue Business and Vogue Runway, highlighted the evolving dynamics of fashion communication.

Yasmeen Sami, Director of Dubai Design District, and Mary Bekhait, Global CEO of YMU Group, shared their perspectives on regional and global market trends. Nicole Kanig, founder of Gjoopy, and Charlotte Mensah, founder of Charlotte Mensah Ltd., discussed entrepreneurship and brand building. The summit also featured Tamara Lohan, CEO and co-founder of Mr & Mrs Smith, Valentina Szuloaga, creative director of Madrid Fashion Week, Patricia Sancho, Roksanda CEO, and designer Patrick McDowell, all contributing to the rich tapestry of discussions. Mytheresa CEO Francis Belin, Vogue Business executive editor Hilary Milnes, and Swap Commerce CMO Juan Pellerano participated in key industry dialogues. Musician Zem captivated guests with a harp performance during the gala dinner, held in the stunning Galerie de Peinture at Château de Chantilly. Further expanding the global presence were Hope Smith, founder of Mutha Skincare, Ivana Ukropina Laković, CEO of Luxury Integrated, Ina Dimsky-Legart, chief brand officer at Legart Forschungsatelier, and Dr. Anino Emuwa. Laure Guilbault, Vogue Business Paris correspondent, engaged in a fireside chat with GXO's Max Alexander, while Nicole Phelps, Hilary Milnes, and Vogue Business operations director Emily Forkan represented the core leadership. The event also saw the participation of Bruno Astuto, chief creative officer of JHSF Participações and a columnist for Vogue Brasil, Nermeen Nosseir, chief retail leasing officer at Diriyah Company, and Thebe Magugu, founder of his eponymous South African fashion label, adding diverse international viewpoints to the summit.

The Vogue Business Global Summit in Chantilly showcased the fashion industry's commitment to adapting and innovating in a rapidly changing world. The diverse range of speakers and attendees underscores the importance of global collaboration and interdisciplinary dialogue. From emerging technologies to sustainable practices, the conversations at the summit provided a roadmap for the future of fashion. It highlighted that success in this dynamic industry requires not only creativity but also strategic foresight and a deep understanding of evolving consumer behaviors and societal values. The convergence of such influential minds promises to inspire new pathways for growth and resilience within the fashion ecosystem.

A Homage to Princess Diana's Iconic Cannes Look at the 2026 Film Festival

The 2026 Cannes Film Festival has become a captivating stage for a resurgence of archival fashion, with numerous celebrities drawing inspiration from iconic past looks. Amidst this trend, a particular moment stood out: French-Russian actress Anastasia Andrushkevich's heartfelt homage to Princess Diana's memorable 1987 Cannes ensemble. This tribute not only underscored the enduring influence of royal style but also added a touch of nostalgic elegance to the Croisette.

Actress Anastasia Andrushkevich Revives Princess Diana's 1987 Cannes Glamour

At the recent 2026 Cannes Film Festival, actress Anastasia Andrushkevich, born in 2001 in Rostov-on-Don, Russia, and also a professional pianist, attended the premiere of her film Fjord. For this significant occasion, Andrushkevich opted for a bespoke pale blue gown, exquisitely designed by Mehmet Ozden. This choice was a direct and striking callback to the late Princess Diana's appearance at the 1987 Cannes Festival.

Princess Diana's original 1987 gown, a creation by Catherine Walker, herself a designer favored by Princess Catherine today, was a sartorial nod to cinema history. It was a direct reference to the Edith Head-designed costume famously worn by Grace Kelly in Alfred Hitchcock's 1955 film To Catch a Thief, a film fittingly set on the French Riviera. Hitchcock, in a 1962 interview with François Truffaut, revealed that the cool shade of blue for Kelly's dress was deliberately chosen to reflect her 'icy' character, portraying her as classical, beautiful, and distant. Both these gowns hold significant places in fashion history, with Princess Diana's draped design fetching $108,000 at auction in 2003.

While Grace Kelly's original featured two shades of blue and a voluminous ballgown skirt, Diana's reinterpretation embraced a monochromatic palette and a sleeker, more contemporary silhouette. Her soft, flowing chiffon gown was strapless, complemented by a delicate scarf draped around her neck, gracefully cascading down her back like a train, accentuating her décolletage.

To complete her 1987 Cannes look, Princess Diana meticulously selected coordinating accessories. These included an evening bag crafted from matching fabric and light-blue satin pumps, chosen for comfort and to avoid towering over then-Prince Charles. Her ensemble was further enhanced by dazzling chandelier earrings, adorned with diamonds and sapphires, which sparkled under the camera flashes.

Andrushkevich's 2026 iteration echoed this sophisticated elegance. Her dusty sky-blue gown featured a layered strapless bodice with horizontal draping gracefully wrapped around her torso, and a fluid skirt that fanned out as she moved. A matching thin scarf adorned her neck. The primary distinction lay in the bodice, as Diana's original design incorporated a criss-crossing, geometric waistline that extended below her hips. Andrushkevich also styled her hair and makeup to reflect Diana's, with her blonde lob styled in bouncy, voluminous waves parted to the side. For jewelry, she chose slender, serpent-like silver earrings and a delicate bracelet.

Beyond the fashion, a poignant connection exists between Diana and Grace Kelly. Biographer J. Randy Taraborelli recounted in Once Upon a Time: Behind the Fairy Tale of Princess Grace and Prince Rainier a deeply personal encounter between the two royals. In 1981, just months after Diana's engagement to Charles, a 19-year-old Diana met the 51-year-old Grace at a royal event. Diana reportedly confided her fears about her impending wedding and encroaching loss of privacy, with Grace offering comfort and advice. This touching interaction further solidifies the symbolic link between the two princesses.

Princess Diana notably revisited this same blue gown on September 19, 1989, for the premiere of the musical Miss Saigon in London. Re-wearing such a significant garment only two years later was an unconventional yet bold choice for a royal figure, underscoring her personal attachment to the creation. For this London appearance, Diana subtly altered her hairstyle and jewelry, presenting a fresh interpretation of the iconic outfit.

As Andrew Morton, Diana's biographer, noted, Diana perceived Grace as "wonderful and serene," yet also sensed "troubled water under her." Diana's fashion choices were always deliberate and imbued with personal significance. This recent tribute at Cannes, featuring a flowing scarf reminiscent of the famed Croisette, ensures that the legacy of Diana's thoughtful style continues to resonate.

The current trend of revisiting iconic fashion moments at high-profile events like the Cannes Film Festival offers a fascinating lens through which to appreciate the timelessness of certain designs and the enduring influence of style icons. It encourages a deeper look into the narratives woven into these garments, bridging historical elegance with contemporary interpretation. For me, it highlights how fashion can serve not only as an aesthetic expression but also as a powerful medium for storytelling, tribute, and the perpetuation of cultural legacies across generations.

See More

Auralee's New Balance 204L Collaboration: A Study in Understated Elegance

Japanese fashion house Auralee, celebrated for its subtle yet impactful design philosophy, has once again joined forces with athletic footwear giant New Balance. This collaboration breathes new life into the New Balance 204L, a model that made its debut just last year, garnering attention with campaigns featuring pop icon Rosalía.

Auralee x New Balance 204L: Where Minimalism Meets Modern Footwear

The Enduring Appeal of New Balance Collaborations

New Balance, despite its reputation for classic "dad shoes," boasts an impressive roster of collaborators, spanning from luxury brands like Miu Miu to influential figures in music such as Action Bronson, and even NBA stars like Tyrese Maxey. Amidst these diverse partnerships, Auralee stands out for its quiet sophistication, consistently infusing New Balance's iconic models, like the 990v4 and 1906R, with its distinctive minimalist touch.

Introducing the New Balance 204L Silhouette

The 204L is a recent addition to New Balance's expansive collection, launched last year to critical acclaim. This model skillfully combines the intricate, wavy panel designs reminiscent of 1990s running shoes with contemporary, streamlined outsoles. New Balance has heavily invested in the 204L, releasing numerous compelling colorways, including a popular cow print collaboration with Atmos, showcasing its versatility and widespread appeal.

Auralee's Signature Interpretation: Neutral Tones and Sophisticated Hues

Auralee's latest contribution is poised to elevate the 204L to a new status as a timeless staple within the New Balance family. The collection features two distinct interpretations. The first design embraces a palette of understated, neutral shades, meticulously blending creamy beige with a subtle, faded tennis-ball green, echoing the aesthetic seen in their previous work on the 475s.

A Deep Dive into the Violet Suede Masterpiece

The true highlight of this collection is the second colorway, which presents a striking combination of an aged cream sole paired with a deep violet suede, so rich it almost appears black. A closer examination reveals the nuanced artistry of this design, where layers of dark brown and profound violet create a harmonious interplay of complementary tones. This sophisticated approach brings to mind the masterful collaborations of A Ma Maniére with Nike, particularly their use of violet and brown to achieve a similar depth and elegance.

Availability and Release Details for the Exclusive Collection

The highly anticipated New Balance x Auralee 204L collection will initially launch today, May 22, directly through Auralee's official channels. A broader release is scheduled for May 29, making the collection available via New Balance's website and select retail partners. Both exquisite versions of the sneaker will be offered at a retail price of $166, inviting enthusiasts to experience this blend of Japanese minimalism and athletic heritage.

See More