Building materials

Leonardo Garza's "Matter / Memory" Transforms BYREDO Fragrances into a Multisensory Experience in Mexico

In a groundbreaking exhibition, Mexican creative force Leonardo Garza has unveiled "Matter / Memory," an interactive installation that transcends traditional olfactory engagement, offering a profound exploration of fragrance through physical interaction and sensory immersion. Commissioned for BYREDO's official debut in Mexico, this innovative work reinterprets five of the brand's iconic scents as tangible memories, inviting participants on a journey of discovery that blends touch, sound, and sight.

Garza's vision for "Matter / Memory" moves beyond conventional visual interpretations of aroma, instead focusing on the inherent connection between scent and personal recollection. Each of BYREDO's distinctive fragrances is treated as a unique memory, translated into a structured spatial experience using raw, tactile materials and evocative soundscapes. The installation is composed of five distinct curved sections, each concealing a carefully chosen material composition beneath a transparent surface. Thousands of polished stainless steel spheres form a dynamic, movable curtain across these segments. Visitors are encouraged to physically engage with the artwork, gently shifting these spheres to gradually reveal the hidden textures and elements below. This interaction not only uncovers the material essence of each fragrance but also generates a subtle, resonating metallic sound, adding an additional auditory layer to the multisensory encounter. Through this gradual unveiling and sonic feedback, "Matter / Memory" fosters an intimate dialogue between the observer and the art piece, emphasizing the interplay between what is hidden and what is brought to light.

Within the installation, each curved fragment is thoughtfully dedicated to representing a specific BYREDO fragrance through its chosen material. For example, the earthy essence of Gypsy Water is evoked by charcoal and ash, suggesting a grounding, nomadic spirit. Rose of No Man’s Land finds its expression in fractured glass, symbolizing delicate strength and resilience. Mojave Ghost is brought to life through mineral dust, reflecting the arid beauty and ethereal quality of the desert. Bal d’Afrique is embodied by rich red ochre earth, conjuring images of vibrant landscapes and ancient traditions. Finally, Blanche is represented by soft, folded white textile, signifying purity and simplicity. A delicate mist of fog envelops the entire installation, creating an atmospheric, dreamlike environment where light, reflection, and material coalesce and continuously evolve, further deepening the immersive experience. This project underscores Garza's enduring fascination with the confluence of art and design, as he consistently seeks new modes of expression across various creative disciplines, from objects and furniture to large-scale spatial installations.

Ultimately, "Matter / Memory" challenges perceptions of how scent can be experienced and understood. By transforming ephemeral fragrances into a concrete, interactive environment, Garza creates a lasting impression that engages multiple senses. The installation not only celebrates BYREDO's aromatic heritage but also serves as a testament to the power of design to translate intangible concepts into compelling, shared human experiences, pushing the boundaries of sensory art and interaction.

Cosima von Bonin's Playful Plush Sculptures Invade Paris's Petit Palais for Art Basel

A unique exhibition by artist Cosima von Bonin brings a touch of whimsical charm to the historic Petit Palais, showcasing large-scale fabric animals that playfully interact with the museum's classical environment. This installation, part of Art Basel Paris 2026, redefines the boundaries of art display by merging contemporary plush creations with traditional sculpture, offering visitors a fresh and humorous perspective on art and its presentation.

Where Whimsy Meets Heritage: A Fabric Animal Takeover

A Playful Invasion of the Petit Palais's Historic Halls

For Art Basel Paris 2026, the venerable Petit Palais has welcomed an unexpected collection of new residents. Among the ancient statues and timeless masterpieces, one can now find a plush Saint Bernard crafted from velvet, along with whimsical octopuses made of leather and mohair whales. These delightful fabric creatures are part of “Dollys & Beaux,” an installation by the Cologne-based artist Cosima von Bonin. Her distinctly oversized, soft sculptures, initially conceived for the luxury brand LOEWE, introduce an intriguing and humorous element into the museum's revered array of classical artwork.

Cosima von Bonin's Expanding Animal Kingdom

The enchanting menagerie at the Petit Palais includes a bulldog, a pair of scallops, and several hermit crabs, each contributing to von Bonin's peculiar and charming animal realm. Some of these textile beings are adorned with elegant silk scarves, while others feature tartan patterns specifically designed for their Parisian debut. Their yielding, exaggerated forms appear remarkably at ease amidst the more austere, stoic sculptures that are typically carved from enduring materials. This juxtaposition creates a captivating dialogue between textures and artistic expressions, with the soft, pliable figures comfortably coexisting with their rigid, classical counterparts.

From High Fashion Runways to Esteemed Museum Galleries

Before their grand appearance at the Petit Palais, these artistic animals made a notable debut in the fashion world. Earlier in the year, Cosima von Bonin was commissioned by Jack McCollough and Lazaro Hernandez, the creative directors of LOEWE, to craft sculptures for their Fall/Winter 2026 collection showcase. At the historic Château de Vincennes in March, her plush characters were strategically placed on oversized white shoeboxes, observing models as they graced a vibrant yellow runway. The artist's distinctive imagery also seamlessly integrated into the collection itself, adorning various garments and fashion accessories, bridging the gap between art and haute couture.

A Fresh Ensemble for a New Parisian Stage

For their presentation at Art Basel Paris, the same beloved cast of creatures has been recontextualized with a fresh backdrop and updated sartorial details. The addition of silk scarves and tartan motifs serves as a delightful continuation of their previous collaboration with the fashion world. However, these textile figures now find themselves nestled within the permanent collection of a prestigious fine arts institution, imbuing them with a distinct presence. Without the dynamic spectacle of a fashion runway to command attention, the animals themselves become integral to the cultural gathering, transforming into靜態 but captivating spectators within the museum's hallowed halls.

Softness Intertwined with Classical Grandeur

Animals have been a recurring and central theme throughout von Bonin’s artistic endeavors, with marine life and canines frequently appearing in her fabric sculptures, often imbued with curiously human-like expressions. By incorporating everyday objects and elements from popular culture, the artist skillfully employs humor as a tool to explore complex social dynamics and the conventional norms that govern them. Her sculptural works possess an inherent quality that is both endearing and subtly absurd, characterized by their exaggerated features and relaxed poses, each contributing to the unique character and personality of every creature.

An Engaging Exhibition at the Petit Palais

The Petit Palais serves as an especially compelling and entertaining venue for von Bonin's current body of work. Visitors are invited to meander among these soft textile figures, while the museum's existing, centuries-old sculptures remain steadfast in their positions, fostering intriguing and unexpected interactions throughout the gallery spaces. There is an undeniable charm in observing a plush whale residing in a chamber traditionally reserved for the solemn display of fine art, particularly when its companions are accessorized with elegant silk embellishments. This installation is proudly presented by Petzel, Gaga, and Galerie Neu as an integral part of Art Basel Paris's extensive public program, offering free admission to all from October 20th to 25th, 2026, inviting a broad audience to experience this delightful fusion of contemporary art and historical setting.

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Boss Design's "The Loop" Initiative: Breathing New Life into Furniture with Circular Engineering

Boss Design has launched an innovative program, "The Loop," which aims to prolong the lifespan of furniture and minimize environmental impact. The initiative seeks to combat the prevalent issue of furniture being discarded prematurely due to wear, changing trends, or personal preferences, which contributes significantly to a preventable carbon footprint. By encouraging the retention and revitalization of existing pieces, The Loop champions a more sustainable approach to interior design.

Central to The Loop are four key pillars: ReNew, focusing on repairing and reupholstering; ReUse, involving strategic relocation and restoration; RePurpose, which facilitates donations to charitable initiatives; and ReCycle, ensuring controlled material separation for future use. This comprehensive framework, built on Boss Design's 40 years of technical expertise, extends beyond its own products, allowing for the repair and renewal of furniture from various manufacturers. The brand's commitment to ecological responsibility is also evident in its manufacturing processes, utilizing BioPUR foam, low-VOC components, and responsibly sourced materials, all contributing to better indoor air quality and reduced carbon emissions.

The "Lucy" chair serves as a testament to Boss Design's circular engineering philosophy. Designed for longevity and adaptability, Lucy features a modular structure and a tool-free removable cover system, allowing for aesthetic transformations without replacing the entire piece. Its construction incorporates BioPUR foam, a recyclable steel frame, and sustainable plywood, demonstrating that environmental considerations are integrated from the initial design phase. Lucy exemplifies how architectural integrity, ergonomic design, and timelessness can converge to create a truly responsible product, proving that extending furniture's life is not only possible but also essential for a sustainable future.

Ultimately, this forward-thinking approach by Boss Design underscores a profound dedication to environmental stewardship within the furniture industry. By integrating principles of circularity into every aspect, from design and production to repair and repurposing, the company sets a commendable standard. This commitment not only mitigates ecological damage but also inspires a shift towards more conscious consumption and resource management, fostering a positive impact on both our living spaces and the planet.

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