Celebrity Style

Secrets to Getting Your Design Projects Featured in Top Publications

Securing publication in prestigious design magazines like Architectural Digest is a goal for many interior designers. This guide, drawing insights from AD's editors and a veteran photographer, illuminates the path to successfully showcasing your work. The consensus among experts is clear: meticulous preparation, compelling visual narratives, and strategic pitching are paramount. Understanding what editors seek and the impact of high-quality imagery can significantly elevate a project's chances of being featured, opening doors to new opportunities and broader recognition.

Unlocking Publication: Expert Advice from Architectural Digest Insiders

On September 16, a distinguished panel convened at the AD PRO Design Dialogues summit for a session titled "Inside the AD Edit: How Great Projects Get Published." The panel comprised Architectural Digest's West Coast Editor Mayer Rus, Senior Design Editor Bebe Howorth, and Global Visuals Director Michael Shome, alongside acclaimed photographer Stephen Kent Johnson. They offered invaluable insights into the intricacies of presenting design projects for potential publication.

Michael Shome stressed the importance of photographs that convey a compelling narrative and offer a glimpse into the inhabitants' personalities. Stephen Kent Johnson, known for his work on AD projects globally, advised designers to capture the most refined version of their work, emphasizing that professional interior stylists can enhance images with thoughtful props and accessories. He highlighted the necessity of a diverse photo set, including both vertical and horizontal shots, wide angles, detailed close-ups, and homeowner portraits, to provide a comprehensive visual story.

Mayer Rus underscored the critical role of investing in a skilled photographer, noting that such an investment serves as the most effective marketing for a designer's portfolio, regardless of whether a magazine ultimately publishes the work. He also addressed the evolving landscape of media, dispelling notions of a hierarchy between print and digital platforms. Rus pointed out that many designers now favor digital features due to their quicker turnaround times and broader reach on websites and social media, asserting that readers often don't differentiate between print and digital presentations.

Bebe Howorth reiterated AD's commitment to storytelling, seeking projects that either highlight a designer's broader body of work or share the unique lifestyle of the home's occupants. She distinguished between digital and print publication timelines, with digital stories potentially appearing in weeks and print features taking months, though digital offers more flexibility for evergreen content.

The panel cautioned against common visual clichés, such as artfully placed high heels suggesting a glamorous return home. Rus specifically advised against photographing bookshelves unless they are genuinely filled with books, criticizing staged arrangements with minimal, decorative tomes as lacking authenticity. Ultimately, all panelists agreed that a project's "wow factor" and inherent storytelling quality are what truly captivate editors and secure publication.

The insights from Architectural Digest's editorial team and a celebrated photographer provide a clear roadmap for designers aspiring to publish their projects. The emphasis on authentic storytelling, exceptional photography, and a deep understanding of editorial preferences is a powerful reminder that compelling content, presented professionally, is the ultimate key to success in the competitive world of design media. This guidance not only helps designers navigate the submission process but also encourages them to think critically about how their work is perceived and documented.

Prada Galleria: A Deep Dive into the Brand's Universe in Milan

Prada has unveiled its ambitious new multi-story complex, Prada Galleria, situated in the heart of Milan's iconic Galleria Vittorio Emanuele II. This sprawling destination transcends the conventional retail space, offering an immersive experience into the brand's rich heritage and innovative future. From its vast collection of merchandise to meticulously curated exhibitions, Prada Galleria aims to connect visitors with the essence of the renowned Italian fashion house.

Prada Galleria: A Fusion of Heritage and Innovation in Milan

In a significant development for the fashion world, Prada recently inaugurated its impressive eight-floor complex, Prada Galleria, nestled beside the breathtaking Duomo di Milano in Milan. This monumental establishment, located at the historical site of the brand's original 1913 store, serves as more than just a retail outlet; it is a profound journey into the world of Prada.

The journey begins on the vibrant retail floors, where patrons can explore an extensive array of Prada's offerings. From the latest accessories like the covetable Bonnie leather bags and elegant Nubuck mules, perfect for the arrival of autumn, to sought-after fragrances such as Paradoxe Eau de Parfum and the trending Lip Oil, every facet of the Prada universe is presented with meticulous care. The expanded Prada Donna, dedicated to womenswear, now boasts nearly double its previous display area, encompassing women's collections, home goods, beauty products, and an extensive travel section. Connecting Prada Donna to Prada Uomo (menswear) is the intriguing "Passaggio Segreto" (secret passage), which is itself a curatorial display of significant moments from Prada's storied past.

Beyond retail, Prada Galleria extends its cultural footprint with thoughtfully organized exhibitions. Dominating the upper floors is the Pradasphere, a permanent exhibition chronicling the brand's evolution through artifacts from its archives and collaborations across art, architecture, film, sport, and culture. Many of these historical items are on public display for the very first time. For those keen to delve deeper, advance registration is required for this unique historical overview. Additionally, the Appartamento, an invitation-only exhibition, presents a striking dialogue between German photographer Andreas Gursky's contemporary art and exquisite antique Italian furniture, recreating an 18th-century apartment ambiance.

Adding a touch of Milanese tradition, the celebrated Marchesi 1824 pastry shop is conveniently located above Prada Uomo, offering a delightful culinary interlude. The strategic location within the 19th-century Galleria Vittorio Emanuele II, a shopping landmark in its own right, underscores Prada's deep roots in Milanese history. Under the visionary leadership of Miuccia Prada, Mario's granddaughter and current head designer, the brand has meticulously crafted a space that not only celebrates its commercial success but also its significant contributions to cultural discourse. This was further highlighted when Prada Galleria hosted this year's prestigious Vogue World event, cementing its status as a nexus of commercial appeal and cultural significance.

Prada Galleria stands as a vibrant testament to the enduring legacy of the Italian fashion house. It's a place where shoppers acquire more than just luxury items; they gain an intimate understanding of a brand that has influenced diverse fields, from designing lunar spacesuits to inspiring iconic literary works. Visitors leave with a deeper appreciation for Prada's journey, from its origins as "Fratelli Prada" in 1913 to its current position as a global cultural powerhouse.

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Inside Travis Kelce's Historic Cleveland Mansion: A Gilded Age Gem with Untold Stories

Travis Kelce's recent acquisition of the 21,000-square-foot Tudor-style mansion known as Moyenage in the Cleveland area for $5.35 million has sparked considerable interest. This historic estate, reminiscent of a bygone era, is believed to hold countless narratives, potentially offering creative inspiration. From its intricate architectural design by prominent figures like Jarvis Hunt and Charles Schweinfurth to its connection with notable former residents, including industrialist Jay Morse and business leader Seville Morse, the mansion's past is rich with tales waiting to be discovered. Furthermore, the property is shrouded in local lore, with rumors circulating about its possible use as a speakeasy during the Prohibition era, although historical experts express skepticism regarding such claims. The house's entryway and staircase even made a notable appearance in the 1960s television series Route 66, adding another layer to its storied existence. These unique elements and a sister property, the Seven Gable House, contribute to Moyenage's distinctive character, making it a truly captivating residence.

The mansion's design, initially commissioned by industrialist Jay Morse, showcases the collaborative efforts of celebrated architects Jarvis Hunt and Charles Schweinfurth. Hunt, a nephew of the renowned Richard Morris Hunt, enlisted Schweinfurth, a highly influential architect in Cleveland, to bring the Gilded Age vision to life. Beyond its architectural significance, Moyenage's legacy is also tied to its illustrious former occupants. Seville Morse, Jay Morse's widow, not only inherited the estate but also took the helm of her late husband's iron mining and shipping firm, demonstrating her exceptional business acumen and philanthropic spirit. Later, George Martin, another influential industrialist and president of Sherwin-Williams, resided in the mansion. These intriguing connections and historical tidbits make Moyenage more than just a grand residence; they weave a tapestry of history and potential narratives, echoing the inspiration Taylor Swift found in her own Rhode Island home. The mansion's distinctive features, such as the lion motifs adorning its entrance, further add to its allure and symbolic depth.

Architectural Collaboration and Notable Inhabitants

The distinguished Cleveland estate, Moyenage, recently acquired by Travis Kelce, stands as a testament to early 20th-century architectural prowess, brought to life through the collaborative efforts of two renowned architects. Industrialist Jay Morse initiated the project in 1902, engaging Chicago architect Jarvis Hunt. Due to Cleveland's licensing regulations, Hunt partnered with local luminary Charles Schweinfurth, a figure widely recognized for his significant contributions to the city's architectural landscape. This partnership resulted in a unique Tudor-style mansion, distinct from Hunt's typical stucco designs, and closely mirrored by a Jacobean sibling property, the Seven Gable House in Illinois, also built for Morse's family. The mansion's rich history extends to its notable inhabitants, including Seville Morse, a shrewd businesswoman and philanthropist who successfully managed her late husband's industrial firm, and George Martin, a prominent industrialist and president of Sherwin-Williams, whose influence even touched the Cleveland Indians baseball team.

Moyenage's construction began in 1902 under the patronage of industrialist Jay Morse, who sought the expertise of Jarvis Hunt, nephew of the illustrious Richard Morris Hunt. As Jarvis Hunt was not licensed in Cleveland, he formed a crucial partnership with Charles Schweinfurth, an architect considered highly influential in the region, as noted by architectural historian Angelina Bair. This collaboration produced a 21,000-square-foot Tudor-style mansion that diverged from Hunt's usual stucco constructions, opting instead for brick. The estate's lineage of prominent owners continued after Jay Morse's passing, with his widow, Seville Morse, inheriting the property. A remarkable businesswoman, Seville not only managed her late husband's iron mining and shipping firm for over two decades but also left a substantial philanthropic legacy. Later, George Martin, another industrial magnate and president of Sherwin-Williams, occupied Moyenage, further cementing its connection to Cleveland's industrial elite. These historical ties, along with the existence of the Seven Gable House—a 10,000-square-foot Jacobean mansion built by Hunt for Morse's daughter—underscore the mansion's significant architectural and social heritage.

Intriguing History and Distinctive Features

Beyond its architectural grandeur and illustrious owners, Travis Kelce's new Cleveland mansion, Moyenage, is steeped in local folklore and boasts unique decorative elements. One persistent rumor posits that the mansion's third-floor ballroom operated as a speakeasy during the Prohibition era. However, historical experts, such as Thomas Matowitz of the Cleveland Architecture Foundation, cast doubt on this theory, citing the respectable profiles of the residents during that period as unlikely candidates for illicit activities. Adding to its mystique, the mansion's entry and stairway gained a moment in the spotlight by being featured in the 1960s television series Route 66. Moreover, the residence showcases distinctive lion-themed decor, from a front door knocker to numerous lion carvings adorning the newel posts of the main staircase, subtly referencing ancient symbols of trust and protection with the inscription "In Deo solo confido."

The extensive history of Moyenage includes a popular local rumor regarding its use as a speakeasy during the Prohibition era, specifically its third-floor ballroom. Despite its widespread belief, architectural historian Thomas Matowitz, a board director for the Cleveland Architecture Foundation, challenges this narrative. He points out that the property's occupants during Prohibition, Seville Morse and George Martin, were prominent and respected figures in society, making their involvement in bootlegging highly improbable. Furthermore, the mansion holds a unique place in popular culture, having served as a filming location for the 1960s television show Route 66, where its entryway and grand staircase were prominently featured. Adding to the estate's distinctive character are its recurring lion motifs. A lion's head adorns the front door knocker, and eight meticulously carved lions crown the newel posts of the main entrance hall's stairway, offering a majestic and symbolic welcome to visitors. These intricate details, along with the Latin inscription "In Deo solo confido" ("In God alone I trust") found within the house, weave together a captivating narrative of history, rumor, and unique design that defines Moyenage.

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