Architectural Cases

Swiss Pavilion to Showcase Water's Multifaceted Role at Venice Architecture Biennale 2027

The Swiss Pavilion at the 2027 Venice Architecture Biennale will be curated by architect and urbanist Paola Viganò, whose proposal, developed with StudioPaolaViganò and an interdisciplinary team, delves into water's complex role. Recognizing Switzerland as "Europe's water tower," the exhibition will explore water not merely as a vital resource but as a territorial, ecological, and political condition, examining its influence as a legal entity and a force that sculpts landscapes, infrastructures, and the built environment.

This immersive installation, featuring the central performative work "I am water," integrates design research, artistic elements, and insights from political ecology, science, technology, and law. It highlights pressing issues such as receding glaciers, at-risk dams, hidden rivers, and urban rainwater management to prompt reflection on human coexistence with water systems and the collective responsibilities this entails. The project underscores water's active medium connecting diverse territories, disciplines, and scales, inviting viewers to engage with urgent environmental and architectural discourse.

Water: A Territorial and Ecological Perspective

The upcoming Swiss Pavilion at the 2027 Venice Architecture Biennale, led by architect Paola Viganò, will present a comprehensive exploration of water's multifaceted influence. Drawing on Switzerland's geographical significance as "Europe's water tower," Viganò's curation, developed alongside StudioPaolaViganò and an expert team, goes beyond viewing water solely as a natural commodity. Instead, it positions water as a fundamental territorial, ecological, and political element, recognizing its profound impact as a legal entity that actively shapes both natural and constructed environments.

This innovative exhibition will unfold as an uninterrupted spatial and thematic experience, centered around the compelling performative piece "I am water." The display integrates rigorous design research, thought-provoking artistic contributions, and interdisciplinary perspectives drawn from political ecology, scientific inquiry, technological advancements, and legal frameworks. By focusing on critical issues like melting glaciers, vulnerable dam structures, concealed waterways, subterranean streams, oxygen-depleted lakes, and the management of urban stormwater, the project offers a series of interpretive lenses. These lenses aim to shed light on the intricate relationships between complex environmental systems and contemporary spatial practices, urging visitors to reconsider their role within these interconnected realities.

Fostering Collective Responsibility Through Architectural Dialogue

The Swiss Pavilion's vision, crafted by Paola Viganò, underscores water's dynamic capacity to link diverse geographical areas, academic disciplines, and scales of intervention. The exhibition encourages a profound reflection on the modalities of coexistence and the shared accountability necessary for navigating our evolving relationship with this essential element. This curatorial approach challenges conventional understandings by presenting water as an active force that demands integrated consideration across various domains, from architecture to public policy.

Viganò's selection follows a rigorous multi-stage competition organized by Pro Helvetia, wherein an international jury unanimously endorsed her forward-thinking proposal. The curatorial team includes Maria Medusheskaya, Etienne Schillers, and Alessio Tamiazzo from StudioPaolaViganò, with additional contributions from Paolo Benettin (UNIL), Loan Laurent (HRC-EPFL), artist Marie Velardi, and collaborators from ESTIA. This collaborative effort builds upon the Swiss Pavilion's historical commitment to engaging with critical spatial narratives and architectural history, as demonstrated by previous exhibitions like "The final form is determined by the architect on site" at the 2025 Biennale. The 20th International Architecture Exhibition, themed "Do Architecture — The Possibility of Coexistence in the Face of Real Reality" by curators Wang Shu and Lu Wenyu, will run from May 8 to November 21, 2027, continuing Switzerland's long-standing participation in this prestigious global event.

ICFF 2026: A Hub of Design, Culture, and Commerce in New York

The International Contemporary Furniture Fair (ICFF) 2026 recently concluded a successful edition at the Javits Center in New York, embracing the overarching theme of "Common Ground." From May 17 to 19, this event served as a crucial meeting point for the global design community, emphasizing exceptional craftsmanship and groundbreaking innovation. Held in conjunction with NYCxDESIGN, the fair underscored design's power to connect diverse cultures and perspectives, facilitating an environment ripe for dialogue and discovery through a range of international exhibits, immersive displays, and comprehensive programs.

A significant aspect of this year's fair was its commitment to fostering emerging talent and independent design, alongside a robust international presence. ICFF Brand Directors Odile Hainaut and Claire Pijoulat noted the enthusiastic engagement throughout the event, from lively discussions on the exhibition floor to the insightful talk series and the high caliber of exhibitor presentations. They highlighted the growth of curated sections such as Launch Pad and Look Book, which champion new designers, and the strong participation from countries like Brazil and India. Additionally, the fair introduced new partnerships aimed at social impact, including a collaboration with Habitat for Humanity New York City and Westchester, and an exhibition by the Parsons Healthy Materials Lab on bio-based materials and sustainable production.

Looking ahead, ICFF is poised for a transformative new chapter, as it prepares to shift its schedule to the fall season starting in 2027. The inaugural fall edition is slated for November 14–16, 2027, at the Javits Center, running concurrently with BDNY. While maintaining separate identities and programming, this co-location will create a more expansive and dynamic platform for the design industry. This strategic move, which has been met with positive feedback from exhibitors and partners, aligns ICFF with the global fair calendar and further solidifies New York's standing as a premier design destination.

ICFF's ongoing evolution signifies a dynamic future for the design industry, promoting unity, innovation, and social responsibility. By continually adapting and expanding its reach, ICFF demonstrates how creativity and collaboration can drive progress and foster a deeper appreciation for design's impact on our world.

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The Dome, a Skyspace by James Turrell and Schmidt Hammer Lassen

A groundbreaking artistic endeavor is set to transform the cultural landscape of Aarhus, Denmark, as the ARoS Aarhus Art Museum unveils 'As Seen Below,' a remarkable Skyspace installation created by renowned artist James Turrell. This project, undertaken in collaboration with Schmidt Hammer Lassen Architects, signifies the triumphant conclusion of the museum's extensive 4,000-square-meter subterranean expansion. With its completion scheduled for 2026, the installation is poised to elevate ARoS's reputation as a premier international destination, seamlessly blending the realms of art, architectural design, and experiential engagement.

This ambitious expansion integrates an innovative underground space that enhances the museum's capacity for showcasing cutting-edge installations. Turrell's Skyspace, a signature work exploring the perception of light and space, will offer visitors an unparalleled opportunity to engage with the natural environment in a profound and contemplative manner. The collaboration between Turrell's artistic vision and Schmidt Hammer Lassen's architectural expertise has resulted in a structure that is both aesthetically striking and deeply resonant, inviting introspection and a renewed appreciation for the interplay of light, form, and human experience.

The integration of 'As Seen Below' within the museum's expanded footprint underscores ARoS's commitment to pushing the boundaries of contemporary art and architecture. The installation is not merely an exhibit but an immersive journey, meticulously designed to alter sensory perceptions and foster a unique dialogue between the viewer and the celestial vault above. This monumental addition is expected to draw art enthusiasts and architectural aficionados from across the globe, further cementing Aarhus's status as a vibrant cultural capital.

This innovative project stands as a testament to the power of creative collaboration and forward-thinking design. By offering an immersive artistic experience that transcends conventional boundaries, ARoS and its collaborators have created a space where visitors can connect with art, architecture, and the natural world on a deeper, more meaningful level, inspiring awe and contemplation for generations to come.

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