Building materials

Tato Architects' Ingenious Tokyo Home: A Spiral Solution for Compact Living

Tato Architects, under the guidance of Yo Shimada, has masterfully addressed the urban challenge of limited space with their 'House in Musashi-Koyama' project in Tokyo. This residence, designed for a family of four, occupies a uniquely shaped plot of less than 40 square meters. The firm's innovative solution involves a spiraling, skip-floor arrangement that defies the site's constraints, creating an illusion of greater spaciousness. This design strategy not only optimizes vertical space but also fosters visual connections throughout the home, demonstrating a thoughtful approach to maximizing comfort and functionality in a dense urban environment. The structure's lightweight feel, achieved through slender beams and steel elements, further enhances the open and airy ambiance, redefining possibilities for small-scale residential architecture.

To further enhance the living experience, the architects integrated a series of strategically placed openings to invite natural light and views into the home. These openings, including a clerestory, bay windows, and a skylight, are tailored to specific orientations and domestic needs, effectively blurring the lines between the interior and the surrounding urban landscape. This thoughtful integration of natural elements, combined with the dynamic multi-level layout, transforms a compact footprint into a vibrant and adaptable living space. The Musashi-Koyama house stands as a testament to how creative architectural solutions can expand the perception of space and enhance livability in densely populated cities, making it a benchmark for future urban residential projects.

Innovative Spiral Design for Urban Constraints

Tato Architects, under the leadership of Yo Shimada, has meticulously crafted the 'House in Musashi-Koyama,' a residential marvel in a densely populated Tokyo district. This project stands as a testament to innovative urban architecture, addressing the common challenge of constructing a family home on an exceptionally compact, flag-shaped lot measuring under 40 square meters. The initial conventional approach of stacking two full floors was abandoned in favor of a more dynamic and space-efficient solution. Instead, the architects conceived a skip-floor configuration, dividing the internal space into four distinct sections arranged in a spiral. This ingenious layout fosters an interconnected flow throughout the home, allowing for uninterrupted sightlines both upwards and downwards, thereby cultivating an unexpected sense of openness and expansive spatial depth that belies the dwelling's modest footprint.

The house's layout begins with an entrance situated at the mezzanine level, accessed via a staircase that thoughtfully follows the narrow strip of the property. From this central point, the floors gracefully ascend towards a private roof terrace, while a descending staircase leads to the lower level where more private individual rooms are nestled. This intricate spiral design is not merely an aesthetic choice but a highly functional one, ensuring that despite the division of available floor area into smaller zones, the living experience feels continuous and unconfined. The visual permeability between levels prevents any feeling of claustrophobia, creating an interior environment that is both intimate and interconnected, a significant achievement in such a constrained urban plot.

Maximizing Space and Light in a Compact Footprint

The structural integrity and visual lightness of the 'House in Musashi-Koyama' are intrinsically linked to its innovative design. Recognizing that conventional timber framing might overpower the small interior, the architects opted for a refined structural system where the skip floors are supported by slender 30-millimeter-thick laminated veneer lumber (LVL) beams, subtly connected with steel members no thicker than a handrail. This approach ensures that the structural elements blend seamlessly with the interior design, maintaining a scale akin to furniture rather than imposing heavy architectural features. This delicate balance allows the spiral arrangement to fully express itself within the approximate 3.6 by 6 meters and 7.2 meters high volume, creating an illusion of spaciousness without any cumbersome structural presence, and thus preserving the crucial visual connections across all levels.

To further enhance the living environment, the architects strategically incorporated a series of openings within the maximum permitted building volume, each meticulously designed to capture natural light and frame specific views. These openings are tailored to their orientation and function: a south-facing clerestory bathes the interior in sunlight, while a bay window projecting towards the north-facing park provides a tranquil seating area with exterior vistas. Another bay window in the kitchen integrates daylight with practical storage solutions. A skylight above the narrow access strip draws light deep into the house and offers an upward view, while the entrance efficiently utilizes every inch of the flag-shaped site. These elements function as extensions of the main volume, creating multiple points of engagement with the surrounding neighborhood and the sky, allowing the home to feel as if it is expanding outwards, much like a plant seeking light within dense foliage.

Immersive Sound Installation: "Not a Passenger" at KaDeWe Berlin

In the OMA-designed spaces of Berlin's renowned KaDeWe department store, a vibrant pink setup invites a contemplative pause. This unique analog sound installation, named "Not a Passenger," was conceived by YONT Studio in partnership with fashion label Namilia and Telekom Electronic Beats, marking the launch of a limited-edition fashion collection. Running from September 15 to 27, 2026, the project draws inspiration from Iggy Pop's 1977 track 'The Passenger,' transforming its original theme of detached observation into a powerful statement of active engagement.

Occupying a compact 35-square-meter area, this interactive exhibit encourages attendees to take control of their experience. They are invited to relax in reimagined car seats and delve into a selection of 140 hand-picked cassette tapes, creating their own personal soundscapes. Serdar Ayvaz and Coşan Karadeniz of YONT Studio articulate their vision: "We envisioned an installation that evokes a sense of exploration, where one can observe or pause, always choosing what to focus on visually and audibly next." They explain that "being a passenger implies navigating a city while constantly absorbing images, people, and sounds. Our installation centers visitors, providing a moment of tranquility or intimate interaction amidst the bustling department store atmosphere."

The "Not a Passenger" installation seamlessly merges the aesthetic sensibilities of Namilia, Telekom Electronic Beats, and YONT Studio, creating a spatial pop-up that intertwines music, subculture, and fashion. The exhibit also showcases an exclusive fashion line resulting from the collaboration between Namilia and Telekom Electronic Beats. To give this collection a tangible stage, YONT Studio has interpreted the essence of road trip nostalgia into a sculptural intervention that bridges techno-queer sensibility with sound culture. Utilizing their distinctive scenographic approach, which combines raw, imposing forms with custom stainless steel garment racks and repurposed leather car seats, the Berlin-based studio crafts an environment where visitors evolve from mere spectators to active participants.

The designers shared their creative process: "Namilia's techno-queer, edgy sensuality and Telekom Electronic Beats' role as an inclusive music platform were vital components for us. We translated elements from analog music and fashion into an architectural visual language; it's fragmented yet connected. The outcome feels both monumental and intimate, exploring the dynamic between humanity and machinery."

At the core of the installation is a radial arrangement focused on a circular metal platform featuring six repurposed car seats. Surrounding this central lounging area are four striking, monolithic structures made from styrofoam, coated with an epoxy resin, and finished in a vivid, high-gloss pink car paint. Each unit serves a distinct purpose within the confined space: two units house integrated cassette players and headphones, offering access to 140 curated tapes from artists like Madonna, Björk, Sade, and Kendrick Lamar; a third unit incorporates a full-length mirror, transforming the alcove into a private changing space; and the fourth functions as a product display shelf, featuring custom hooks shaped like Namilia's perfume bottle.

In a departure from the sleek digital interfaces and advanced technological systems common in contemporary retail, the installation intentionally exposes its technical infrastructure and embraces tactile interaction. Tapes must be physically chosen, inserted, and rewound, reintroducing a sense of physicality, texture, and deliberate patience to the act of listening. YONT Studio elaborates: "The analog elements imbue the installation with an active and slightly unpredictable character. We also intentionally left cables and technical components visible. Typically, retail design aims to conceal such infrastructure, but here, it becomes an integral part of the visual language. The cables lend the objects a nervous, almost organic quality, as if the installation possesses its own internal system."

Complementing the spatial intervention is an exclusive fashion capsule, co-created with British indie rock band Wet Leg, featuring three unique garments: a cap, a fitted top, and a T-shirt. Together, the physical collection and the environmental design explore themes of individual self-expression, shared identity, and the fluid interchange between fashion and sound culture. Telekom Electronic Beats' involvement highlights its ongoing commitment to fostering creative intersections among contemporary art, fashion, and electronic music. By introducing a tangible, unhurried soundscape into a fast-paced luxury retail setting, "Not a Passenger" ultimately provides a simultaneously nostalgic and forward-thinking disruption.

The studio concludes, "There's a powerful essence in a vision that doesn't always align with the existing context, but sometimes challenges or redefines it. So, when visitors depart, it should feel a bit like waking up, stepping back into the real world, and carrying with them a sense of road trip nostalgia."

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Luca Battaglia's 'Ticket non remboursable': Carousels as Ephemeral Light Structures

Luca Battaglia's compelling photographic series, 'Ticket non remboursable,' invites viewers to reconsider the ordinary carousel through a lens of extended time and transformed perception. Utilizing long exposure techniques, Battaglia converts these beloved amusement rides into luminous, almost ghostly architectural structures, blurring the lines between movement and form, and probing the depths of childhood memory and transient experiences.

Artist Luca Battaglia Reimagines Carousels Through Long Exposure

In an evocative ongoing series titled 'Ticket non remboursable,' Italian photographer Luca Battaglia, influenced by his Milanese childhood and the phantom memory of a vanished carousel, embarks on a unique artistic journey. By employing long exposures ranging from 20 to 30 seconds, Battaglia photographs carousels as they spin in various public spaces and cityscapes across different cities. This technique dissolves the individual components – horses, decorative elements, and riders – into mesmerising streaks and bands of light, creating an otherworldly, architectural presence.

Battaglia's meticulous photographic process fundamentally alters the carousel's familiar appearance. Using neutral-density filters (ND256 or ND1000), he captures the continuous motion of the rotating structures. During these prolonged exposures, the carousel's movement is recorded as unbroken lines of light, causing its intricate details to gradually fade. The result is the emergence of glowing rings, vertical elements, and luminous volumes that evoke floating architectural forms or temporary urban installations. The artist suggests these images represent objects that have briefly touched down in the urban environment.

The series' title, 'Ticket non remboursable' (non-refundable ticket), adds a layer of poignant reflection. It symbolises the cyclical yet non-returnable journey of memory. Just as a carousel ride offers a journey that always loops back to its starting point without true progression, Battaglia's work revisits the profound image of his lost childhood carousel. While the specific carousel remains elusive, its essence reappears in the varied forms he encounters globally. The landscapes and contexts change, but the underlying memory persists, subtly echoed in each new structure.

Comprising over 50 photographs and continuously expanding, Battaglia's collection forms what he describes as an 'imaginary constellation.' This artistic galaxy connects diverse locations through the recurring motifs of carousels, light, and motion. By positioning his camera at a child's eye level, Battaglia imbues his long exposure photographs with a suspended sense of time. The attraction, stripped of its conventional appearance, is transformed into fleeting sensations fixed on paper, offering a visual memory that is often blurred, altered, and subtly unreal.

The inherent transience of a carousel – its temporary installation, operation, and eventual dismantling – contrasts sharply with photography's ability to immortalize moments. Yet, Battaglia's long exposures do not merely preserve the carousel's static form. Instead, the longer the camera records its rotation, the more its distinct features recede, deepening the connection to the intangible nature of memory. Battaglia does not seek to rebuild the carousel of his Milanese youth but embraces its absence, finding echoes in the unique colours, structures, and surroundings of carousels across the globe. These photographs become a testament to how movement can transform the familiar into something subtly altered and profoundly memorable.

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