Architecture News

In the highly anticipated sequel to "Practical Magic," the iconic Owens family residence, a focal point of the original film, has been meticulously reconstructed, blending its classic witchy charm with updated elements. Production designer Tom Burton undertook the challenging task of bringing the beloved Victorian home back to life, with actresses Sandra Bullock and Nicole Kidman expressing their admiration for his dedication. This new iteration of the house, nearly three decades after its initial cinematic debut, aims to evoke the same sense of wonder and comfort that captivated audiences in 1998, continuing the narrative of sisters Sally and Gillian Owens within its enchanted walls.

The original Owens dwelling, featured in the 1998 film directed by Griffin Dunne and based on Alice Hoffman’s novel, was a bespoke creation on San Juan Island, later dismantled. Its distinctive Queen Anne architectural style, characterized by eclectic details, intricate craftsmanship, and an irregular silhouette, positioned it as an architectural anomaly within its fictional New England environment. The interior spaces, realized on Los Angeles soundstages, showcased a blend of Victorian elegance and 1990s design trends, creating what designer Robin Standefer once described as a “cabinet of curiosities.” This unique aesthetic, often referred to as “whimsigoth,” has inspired a generation of fans to infuse their own homes with a similar blend of gothic romance and botanical opulence, testament to the film’s lasting cultural impact.

For the sequel, helmed by Susanne Bier, Burton’s vision was to recapture this distinct atmosphere within a single, coherent location. His meticulous research involved re-watching the first film countless times and cross-referencing screen captures with archival plans. A significant challenge arose from the discovery that the original interior layout was not structurally compatible with the exterior design. To overcome this, Burton meticulously redrafted the house plans, ensuring all rooms on the ground floor were interconnected, allowing Bier to employ fluid 360-degree camera movements through the space. This attention to detail ensured that the house retained its role as both a physical and emotional anchor for the Owens narrative.

The construction of the new set spanned 12 weeks at Leavesden Studios in Hertfordshire, England, followed by three weeks of intricate dressing. The resulting structure functions as a fully realized home, boasting a vibrant garden filled with genuine plants. Burton highlighted the immersive quality of the set, noting, “What I truly appreciate about the interior-exterior set is the ability to gaze out the window and behold the outdoor scenery.” This dedication extended to the interiors, particularly the kitchen, which held significant emotional weight in the first film. It was painstakingly recreated, complete with the large central farmhouse table – the setting for the sisters’ first joint magical endeavor – and the distinctive British-style stove and custom cabinetry. Bullock and Kidman both emphasized the kitchen’s centrality, remarking on how “every major life event happens in this kitchen in both films, and in real life, right?”

Within the kitchen, new features discreetly enhance the magical narrative, such as pneumatic mechanisms concealed within cabinets, allowing drawers to dramatically open during intense scenes. This clever integration of technology demonstrates the evolution of magic within the home while preserving its familiar essence. Bullock shared the profound emotional impact of the kitchen’s recreation: “To recreate the kitchen was the most emotional for everyone. Everyone who was a part of the first film walked in and may or may not have cried.” In contrast, Sally’s bedroom remains largely unchanged, featuring her minimalist writing desk and bed, echoing scenes from their childhood after their parents’ passing. Photographs on the fireplace are subtle indicators of the passage of time, with Burton describing the room as “very tidy, reflecting her somewhat repressed nature.”

Throughout the rest of the house, Burton, alongside set decorators Graham Ward and Barbara Herman-Skelding, masterfully blended new furnishings and props with preserved elements from the original. This layering technique subtly suggests decades of family life and enhances the timeless, supernatural quality of the residence. Additionally, Burton integrated a Scandinavian-inspired aesthetic, introducing light blue and gray tones to the interiors, which visually grounds the film’s setting. He explained, “We aimed to incorporate more of the New England coastal aesthetic into the house. Overall, the entire home feels significantly brighter.” Familiar details, such as a recreated portrait of the Owens ancestor Maria, spellbooks, taxidermy, tinctures, and meticulously redrawn original wallpaper, ensure the house retains its intrinsic soul. Burton expressed his fulfillment in seeing the cast’s reaction: “The cast was astonished by how identical the house appeared, despite the elapsed time. It represents a significant part of their history, and witnessing them return and relive it was the most rewarding aspect of this project for me.”

The meticulous reconstruction of the Owens family home for 'Practical Magic 2' involved a detailed recreation of both its architectural and interior design elements. Production designer Tom Burton carefully blended faithful reproduction with subtle updates, ensuring the house remained a powerful symbol within the film's magical universe. This dedication to authenticity extended from the Queen Anne exterior to the emotionally charged kitchen and unchanged personal spaces, allowing the house to serve as a vital backdrop for the characters' evolving journey while evoking nostalgia for the original.

Liev Schreiber, known for his formidable on-screen presence, reveals an unexpected vulnerability: a lifelong apprehension towards chickens. This revelation comes as he and his wife, Taylor, unveil their meticulously renovated triplex in Manhattan's NoHo neighborhood. The transformation of their urban dwelling into a family-centric haven, complete with a rooftop chicken coop, showcases a unique blend of sophisticated design and personal comfort, expertly orchestrated by AD100 firm Ashe Leandro.

The journey began with Taylor's vision to soften the apartment's previously masculine aesthetic and to integrate elements reminiscent of her South Dakota farm roots. This aspiration led to the creation of an expansive rooftop garden featuring wisteria, berry bushes, a cold-plunge pool with stunning city views, and, notably, a chicken coop. Here reside Grandma, Sizzurp, Fern, Pico, and Miu Miu, whose fresh eggs are proudly packaged in 'Hazel's Hens' cartons, a tribute to the couple's daughter, Hazel Bee.

Schreiber's initial purchase of a one-bedroom apartment in a 19th-century Neo-Grec industrial building was prompted by earnings from a film role. Over time, as his acting career flourished and his family grew with children Sasha and Kai, he expanded by acquiring the two-floor apartment below, forming the current triplex. After an amicable separation from his former partner, Naomi Watts, Schreiber returned to his bachelor pad, which he had previously updated with the help of his brothers, a stonemason and a carpenter. However, with his children dividing their time between two residences, he recognized the need for a more refined and expanded living space.

The latest renovation addressed the family's evolving needs, especially after the arrival of Hazel Bee. Faced with the challenge of finding a larger home in a beloved neighborhood, the solution was found next door: purchasing a neighbor's two-bedroom apartment. Designers Ariel Ashe and Reinaldo Leandro were tasked with seamlessly merging the newly acquired space into a four-bedroom residence without sacrificing its urban integrity. This involved reconfiguring the layout, transforming the lowest level into a private family area with individual children's bedrooms, a den, and a home office for Schreiber's screenwriting and voice-over work. The upper floor now hosts the public spaces, including a living room with a striking de Sede Snake sectional and a kitchen equipped with a Lacanche range where Taylor prepares meals and Schreiber proudly serves cappuccino.

The primary bedroom, also on this floor, features a custom linen headboard embroidered by SAVED New York, chronicling significant moments in the couple's relationship, from their first meeting at Broadway's Booth Theatre to their initial date at Hurley's pub. Taylor affectionately describes the embroidery as depicting them as a 'raccoon family,' a nod to their shared passion for rehabilitating raccoons on Long Island.

In their renovation approach, Leandro emphasized honoring the building's historical character. This involved exposing original brick walls and charred wood beams in the family room and revealing the ceiling's inherent structure on the upper floor by removing drywall. A blackened-steel spiral staircase, fabricated on-site, serves as a central architectural element, reflecting the industrial heritage of the building and leading to the expanded rooftop garden, meticulously landscaped by Brooklyn Grange.

The collaborative design process, marked by lively negotiations, such as the placement of the fireplace in the kitchen (a win for Taylor), fostered a deep connection between the family and their designers. Schreiber and Ashe's playful debates and Leandro's calming influence underscore the strong bonds formed during the project. Ashe and Taylor's daily conversations, spanning motherhood, antiques, and the well-being of the chickens, exemplify the close relationship that developed.

Schreiber, whose childhood fear of chickens stemmed from his hippie parents' move to a Canadian commune, is now successfully overcoming his aversion, albeit with one firm rule: no chickens inside the house, except for special occasions like photo shoots. This blend of personal narrative, thoughtful design, and a touch of the unexpected creates a truly unique and harmonious living environment for the Schreiber family.

The redesigned residence is a testament to the idea that a home can evolve alongside its inhabitants, reflecting personal journeys and changing needs while retaining its core identity. The careful integration of personal histories, functional requirements, and aesthetic preferences has resulted in a space that is both visually compelling and deeply personal. The triplex, with its expanded layout and unique features, now stands as a vibrant example of how urban living can be enriched with elements of nature and personal charm.