Building materials

Zaha Hadid's London HQ Reimagined as Public Arts Hub

The Zaha Hadid Foundation is embarking on an exciting new chapter, opening the doors of Zaha Hadid's former London headquarters to the public. This initiative transforms the historic Victorian schoolhouse, once the vibrant center of Hadid's groundbreaking architectural practice, into a dynamic cultural hub for architecture, design, and the arts.

A Visionary Legacy Unfolds: Zaha Hadid's Headquarters Reimagined

Transforming Zaha Hadid's Historic London Base into a Public Cultural Center

A decade after the passing of the iconic architect Zaha Hadid, her foundation is preparing to unveil her former London headquarters as a public cultural space. Situated at 10 Bowling Green Lane in Clerkenwell, the Victorian schoolhouse, which served as her practice's home for over thirty years, has undergone a significant transformation. Scheduled to open on November 3rd, 2026, with an exclusive preview on October 29th, the revitalized building will offer galleries, a lecture hall, educational facilities, and dedicated spaces for displaying collections. It will also host diverse exhibitions, engaging workshops, and creative residency programs, marking a new era for a space that once buzzed with architectural innovation.

Preserving Architectural Heritage: Studio KA's Meticulous Renovation

The extensive renovation project, meticulously overseen by Studio KA, led by Katherine Nolan and Alex Butterworth, thoughtfully respects the Grade II-listed building's rich history, which dates back to the early 1870s. The ground floor has been reconfigured to enhance flow and accessibility, while original architectural features such as fireplaces and doorways have been carefully restored. New interior finishes introduce a palette of colors directly inspired by Hadid's own artistic paintings. Crucially, the renovation deliberately retains distinctive elements from Hadid's tenure, including unique Z-shaped door handles and striking shard-like flooring inlays. The space is further enriched with furniture and objects from Zaha Hadid Design, ensuring her unmistakable visual language continues to permeate the daily experience within the building.

Celebrating Performance Art: The Inaugural Exhibition

The foundation's inaugural public program delves beyond Hadid's renowned architectural structures, launching with "Zaha Hadid: Architecture of Performance." This exhibition, drawing from the Foundation's own collection, focuses on the architect's groundbreaking work in stage and set design. Curated by Catherine Howe and guest curator Libby Sellers, the exhibit explores Hadid's innovative approaches to performance environments across various disciplines, including dance, opera, and popular music. Featured projects span from her 1989 collaboration with choreographer Rosemary Butcher and the Music Video Pavilion in Groningen, to her stage designs for the Pet Shop Boys' Nightlife World Tour and Mozart's Così fan tutte at the Walt Disney Concert Hall. These diverse works powerfully demonstrate how her explorations into movement, abstraction, and spatial geometry extended far beyond traditional architectural boundaries.

New Artistic Voices and a Comprehensive Timeline

Complementing the main exhibition, a second gallery will feature "The Rebar Beneath," an 11-minute, dual-channel video installation commissioned from London-based artist LionHeart. This work, a blend of film, poetry, and performance, was developed through extensive research into Hadid's archives, examining the hidden structures beneath visible forms through layered projections and fragmented spatial compositions. Additionally, Pulitzer Prize-winning illustrator Mona Chalabi contributes "The Completely Exhausting Inexhaustibility of Zaha Hadid," a compelling visual timeline charting the architect's life and creative output. This animated piece is projected in the foyer onto a textile surface, notably inspired by an Issey Miyake coat once worn by Hadid. The opening program also includes a series of public discussions, guided tours, workshops, and a pop-up AA Bookshop, offering a comprehensive and engaging experience.

Evolving Identity: Experimental Jetset's Dynamic Graphic System

The reopening also marks the introduction of a new graphic identity designed by the Amsterdam-based firm Experimental Jetset. This innovative visual system extends Hadid's spirit of experimentation into the Foundation's public communications. Moving beyond a conventional static logo, the designers have created a flexible typographic language that utilizes a distorting grid, allowing letterforms and compositions to adapt dynamically across different applications. This system cleverly reflects Hadid's own practice, which was characterized by ideas of transformation and continuous inquiry, translating them into a contemporary graphic framework. A redesigned website by London-based Made by ON, set to launch the week of October 12th, will integrate this new identity and provide enhanced access to the Foundation's diverse programs and extensive archive.

Perpetuating a Legacy: A Forward-Looking Vision

To celebrate this significant new chapter, the Zaha Hadid Foundation is partnering with the Architectural Association and Serpentine for "89° of Zaha Hadid," a two-day symposium held across their respective London venues on October 30th and 31st. The latter date commemorates what would have been the architect's 76th birthday. This collaborative initiative underscores a broader ambition to activate the Foundation's archives through rigorous research, educational programs, and vibrant exchanges with emerging creative talents. As Rana Hadid, Chair of the Foundation's Trustees, articulates, the core intention is to "preserve her legacy while carrying her ideas forward." By transforming a former schoolhouse and architectural studio into a public cultural destination, the Foundation actively treats Hadid's legacy not merely as something to be passively preserved, but as a dynamic and evolving source for ongoing experimentation and inspiration.

Ice Cube Necklace: A Transient Jewel by GOLEM and Laila El Mehelmy

A groundbreaking collaboration between GOLEM, led by architect Ariel André, and artist-jeweler Laila El Mehelmy, has resulted in an extraordinary piece of wearable art. This innovative necklace, dubbed 'ooOoooOoooOh la l'ice,' challenges conventional notions of luxury by featuring seven ice cubes strung on a delicate chain of solid-silver beads. It's a statement on impermanence, designed to melt and transform over approximately an hour, offering a poignant commentary on the fleeting nature of preciousness.

The Ephemeral Elegance of 'ooOoooOoooOh la l'ice'

The genesis of this remarkable piece traces back to a sweltering summer party in Berlin. Amidst rising temperatures, attendees sought relief by rubbing ice cubes on their bodies. This scene, blurring the lines between hedonism and environmental concern, sparked a profound discussion between El Mehelmy and André regarding resource scarcity and perceived value. They observed how water, often taken for granted, was becoming an increasingly coveted commodity. This realization propelled them to create a piece that visualizes the preciousness of water and the transient beauty it embodies.

El Mehelmy's artistic philosophy, deeply rooted in the tactile relationship between jewelry and the human form, finds its ultimate expression in this design. The necklace becomes a living sculpture, constantly re-shaping itself as the wearer's body heat causes the ice to gradually diminish. Each melting drop signifies the passage of time and the warmth of human contact. The silver chain, initially a backdrop for the frozen elements, eventually reveals its own intrinsic beauty, with larger beads marking the spaces where the ice once resided. The necklace also comes with a custom silicone tray, enabling the wearer to refreeze and re-experience this unique performance, blurring the lines between adornment and art installation.

This creation intentionally subverts the traditional symbols of luxury. By replacing enduring gemstones with transient ice, El Mehelmy and André question the inherent value of permanence. They argue that true preciousness might not reside in an object's ability to resist change, but rather in its capacity to provoke reflection on the inevitable processes of transformation. The melting ice cubes, or 'solid water gems,' force the wearer and observers to engage with the object's evolution, transforming it from a static accessory into a dynamic spectacle. This ingenious design underscores the cyclical nature of water, as solid ice liquefies, touches the skin, and eventually evaporates, conceptually preparing for renewal. The artists emphasize that the beauty of 'ooOoooOoooOh la l'ice' lies precisely in its temporality, embodying a profound inversion of luxury where its essence is most pronounced at the very moment it begins to fade.

This innovative jewelry piece by GOLEM and Laila El Mehelmy serves as a powerful reminder of the delicate balance between human desire for luxury and the undeniable realities of environmental change. It invites us to reconsider what truly holds value in a world grappling with resource scarcity, prompting a deeper appreciation for the ephemeral and the natural. The 'ooOoooOoooOh la l'ice' necklace is more than an adornment; it is a conversation starter, a performative art piece, and a poignant commentary on our relationship with both time and nature.

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Denver Community Design Festival: Fostering Public Engagement Through Transformable Installations

The Denver Community Design Festival, an inaugural event, transforms public spaces through five unique and adaptable installations. These structures are not merely static displays but dynamic spaces intended to foster dialogue, celebrate local narratives, and extend their impact beyond the festival's duration. By collaborating with various community organizations, the festival integrates diverse voices into Denver's urban fabric through thoughtful architectural interventions.

Common Ground: Uniting Communities Through Innovative Design

The Inaugural Denver Community Design Festival: A Vision for Community-Led Architecture and Public Space Engagement

The very first Denver Community Design Festival, brought to life through the collaborative efforts of Leyuan Li and the Denver Mayor's Office of Community Outreach, is set to be a landmark event. From September 24th to October 7th, 2026, the Denver Performing Arts Complex will host this innovative festival, aptly named 'Common Ground'. This initiative serves as a melting pot for students from CU Denver, seasoned designers, city officials, and local community groups, all coming together to explore and advance community-driven approaches to architecture and the utilization of public spaces. It's a platform dedicated to demonstrating how design can act as a catalyst for social cohesion and civic engagement.

Five Distinctive Temporary Installations: Echoing Community Needs and Narratives Across Denver

At the heart of the festival are five remarkable temporary installations, each a product of deep collaboration with a specific community-based organization. Partners include influential groups such as the Colorado Immigrant Rights Coalition and Empower Media Exchange, ensuring that the installations truly reflect the diverse tapestry of Denver's communities. These custom-designed structures manifest in various forms, tailored to meet the distinct requirements and narratives of their associated organizations. Visitors can expect to encounter an array of functional artistry, from a vibrant performance stage where stories come alive, to an interactive storytelling kiosk that chronicles shared histories, and a mobile bookstand that promises to bring literature directly to neighborhood residents. Each piece is a unique response, embodying the spirit and needs of its community representative.

Flexible and Reusable Structures: Extending the Festival's Reach into Neighborhoods Beyond the Initial Venue

Ingeniously conceived, the festival's installations are arranged within a coherent linear display system, all built upon a remarkably adaptable assembly method. Employing a clever combination of wood, robust ratchet straps, and precision-engineered metal joints, these structures are designed for maximum flexibility. Their inherent ease of dismantling and reassembly is a key feature, allowing them to be effortlessly transported and thoughtfully reconfigured to suit a variety of different locations and community needs. This thoughtful design ensures that the architectural expressions are not confined to a single venue but can journey and adapt, continually engaging with diverse audiences.

Dynamic Public Interaction and Lasting Community Impact: Installations as Catalysts for Ongoing Engagement

Throughout the duration of the festival, these dynamic structures will serve as vibrant hubs for an array of community-led activities. They are set to host captivating performances that showcase local talent, stimulate thoughtful discussions on pressing community issues, and facilitate hands-on workshops that encourage participation and learning. Crucially, the life of these installations extends far beyond the festival dates. Once the event concludes, each structure will be carefully relocated to the neighborhoods of its respective partner organization. This strategic move ensures that these temporary architectural interventions continue their function as vital spaces for ongoing public interaction and sustained community activity, leaving a lasting legacy of engagement and shared purpose.

Architecture as a Tool for Public Dialogue: Integrating Community Perspectives into Denver's Built Environment

The Denver Community Design Festival stands as a powerful testament to the transformative potential of architecture. Through its unique blend of hands-on design-build installations, deeply rooted community partnerships, and the innovative use of reusable construction systems, the festival actively redefines the role of architectural practice. Co-developed by Leyuan Li and the Office for Roundtable, this initiative artfully positions architecture not merely as a discipline of static structures, but as a dynamic and potent tool for fostering public exchange and dialogue. By bringing community-authored perspectives directly into the fabric of Denver's built environment, the festival champions a more inclusive, responsive, and truly representative urban landscape.

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