Building materials

BUREAU Transforms Lilac Apartment in Lisbon with Innovative Circulation and Translucent Elements

The 'Lilac' apartment in Lisbon, a project by BUREAU, redefines compact living within its 44 square meters. Designed as one of two 'family' residences, this apartment showcases how small spaces can be optimized to accommodate diverse daily activities, objects, and various lifestyles. The architectural approach minimizes strict divisions, fostering an environment where multiple functions can coexist harmoniously, while each area retains its unique purpose and adaptability.

The transformation strategically repurposes the circulation areas to create functional zones. The previous entrance hall has been reimagined as an efficient kitchen, and the former central bedroom now houses the wet areas. A continuous pathway encircles this core, linking rooms through four symmetrically placed openings. This design re-establishes flow and natural light, which had been compromised by earlier modifications. The original structural integrity is maintained, while the new circulation scheme enhances the connectivity between different parts of the dwelling.

Fluid Spaces and Enhanced Connectivity

The redesign of the Lilac apartment in Lisbon fundamentally rethinks the concept of circulation, converting traditional pathways into dynamic, usable areas. By repositioning the kitchen to the former entrance hall and centralizing the wet areas in what was once a bedroom, BUREAU has ingeniously integrated essential domestic functions. This creates a seamless flow that wraps around a central core, linking various rooms through thoughtfully placed, symmetrical openings. The architectural intervention not only reintroduces natural light but also enhances the overall spatial fluidity, proving that even within a modest 44 square meters, a home can be both highly functional and aesthetically coherent. This continuous circulation strategy allows for multiple activities to unfold simultaneously without compromising the distinctiveness of each zone.

The core of the apartment's innovative layout is its uninterrupted circular path, which acts as the primary organizing element. This clever re-imagining of movement within the home allows the kitchen and wet areas to be central, facilitating daily routines. The use of four symmetrical openings along this path ensures that each room is easily accessible and connected, while also maximizing the penetration of natural light and air. This approach deliberately avoids rigid compartmentalization, instead creating an open yet defined living experience. The transformation demonstrates a sophisticated understanding of how architectural design can manipulate perceived space and functionality, turning potential constraints into opportunities for creative and flexible living solutions that adapt to diverse domestic scenarios.

Visual Depth and Material Innovation

Central to the Lilac apartment's interior aesthetic is the strategic deployment of color, reflection, and translucency, which collectively define the unique character of the space. A single, unified countertop serves as a pivotal element at the apartment's heart, bridging the kitchen and bathroom. This design choice cleverly integrates two typically distinct domestic functions, fostering a sense of interconnectedness and maximizing utility within the compact footprint. The apartment's new openings, crafted from translucent or mirrored materials, are instrumental in introducing an abundance of light, amplifying reflections, and generating a remarkable visual depth that belies the dwelling's modest size. This thoughtful material selection not only illuminates the interior but also creates an illusion of expansive space.

The project draws inspiration from the fluid spatial dynamics observed in Jean-Luc Godard's 1963 film 'Le Mépris,' treating the apartment as a stage for various domestic narratives. White and vibrant colors are used to delineate different spaces and evoke distinct moods, much like characters in a film. Partitions and openings are carefully orchestrated to guide movement and define relationships between areas, reinforcing the cinematic influence. Within its 44 square meters, the Lilac apartment, conceived by BUREAU, deftly integrates the fundamental elements of daily life. Its layout is meticulously shaped around principles of movement, light, and the mindful arrangement of objects and rituals. This compact scale serves as a compelling framework for contemplating the true essentials of a contemporary home, highlighting how innovative design can transform limited space into a rich and adaptable living environment.

"Settle" Installation: Reshaping Public Interiors

Studio TRESTLE has conceptualized and implemented an innovative architectural artwork titled “Settle.” This dynamic installation redefines public interiors, fostering communal gatherings and shared encounters within modern urban landscapes. Drawing inspiration from the inherent flexibility and practicality of Irish indigenous furniture designs, the project investigates how a well-considered array of objects can establish a transient yet meaningful public space. The modular nature of its components enables effortless reconfiguration, adapting to various events and civic environments. Following its successful debut in the summer of 2026 at St. Luke’s crypt in Cork City, “Settle” is scheduled to grace additional civic venues in the near future.

This initiative considers public indoor areas as crucial settings for collective experiences within contemporary urban life. Referencing Hannah Arendt's perspectives on the significance of a shared 'common world of things,' TRESTLE views public interiors as integral elements of this shared environment. The project is a thoughtful response to societal trends that increasingly prioritize individual pursuits and the pervasive shift towards digital interactions. It aims to re-evaluate the essential role of tangible, strategically placed spaces dedicated to public use, encouraging face-to-face engagement. Furthermore, “Settle” champions the principle of reuse as a critical strategy in addressing climate concerns, exploring how existing buildings can be repurposed to accommodate new forms of public engagement and sustainable urban living. The collection of functional, movable elements within “Settle” constructs a temporary civic interior that can be inhabited, modified, and redeployed across diverse locations, promoting environmental responsibility and community interaction.

The Dynamic Nature of “Settle” in Urban Landscapes

The “Settle” project, conceived by TRESTLE, is a groundbreaking architectural endeavor focused on establishing adaptable public interiors within contemporary urban environments. By drawing inspiration from the practical and versatile designs of traditional Irish furniture, the installation demonstrates how thoughtfully arranged modular components can create temporary yet engaging communal spaces. These elements can be effortlessly reconfigured to suit different events and gatherings, highlighting the project's inherent flexibility and responsiveness to diverse civic needs. Following its successful unveiling in Cork City, “Settle” is set to tour various urban settings, showcasing its potential to transform underutilized spaces into vibrant hubs for social interaction and collective experience.

“Settle” fundamentally re-evaluates the role of public interiors as catalysts for shared human experiences in today's cities. Inspired by Hannah Arendt's concept of a 'common world of things,' TRESTLE positions these adaptable spaces as vital components of our collective environment. The project directly addresses the challenges posed by an increasingly individualized society and the growing reliance on digital interactions by emphasizing the value of physical, situated spaces for public use. The installation’s design, characterized by spatial order, defined thresholds, distinct material character, and strategic use of repetition and variation, allows for its reformatting for diverse functions while maintaining a cohesive spatial identity. Beyond its aesthetic and functional merits, “Settle” also promotes sustainability by advocating for the adaptive reuse of existing buildings, demonstrating how functional, movable objects can create a temporary civic interior that is both engaging and environmentally conscious across multiple locations.

Innovating Public Interaction Through Flexible Design

Studio TRESTLE's “Settle” installation revolutionizes the concept of public interiors by offering a flexible framework for collective engagement within the modern city. Its design, rooted in the functional adaptability of Irish vernacular furniture, allows for dynamic reconfiguration, transforming spaces to host various events and foster community interaction. This innovative approach recognizes the pressing need for physical gathering places in an era increasingly dominated by individual pursuits and digital connections. The project's presence in Cork City and its planned expansion to other civic locations underscore its potential to inspire new paradigms for urban design that prioritize social cohesion and adaptable public use.

This initiative views the public interior as an essential arena for communal experiences in contemporary urban life. Embracing Hannah Arendt's philosophy on the importance of a shared 'common world of things,' TRESTLE asserts that public interiors are integral to our shared environment. The project offers a thoughtful counterpoint to social structures that tend to favor individual lifestyles and the shift of everyday interactions towards digital platforms. It does this by examining the profound role of tangible, site-specific spaces designed for collective use. “Settle” meticulously explores a prototypical public interior through elements such as spatial organization, boundary definition, material qualities, and the interplay of repetition and variation. This thoughtful design allows the installation to be recast for different purposes while consistently maintaining a coherent spatial framework. Furthermore, the project highlights the importance of reuse as a response to environmental concerns, demonstrating how existing architectural assets can be effectively repurposed to facilitate new forms of public life and interaction through a collection of versatile, movable objects.

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LAS Art Foundation: Bridging Art and Advanced Technology

The LAS Art Foundation (formerly Light Art Space), based in Berlin, is a pioneering organization dedicated to creating art at the forefront of technological innovation. Known for transforming iconic venues like Halle am Berghain and Kraftwerk into mesmerizing artistic spaces, LAS challenges traditional gallery formats. Their exhibitions are characterized by monumental soundscapes, dynamic light installations, and moving digital imagery, offering an immersive experience that transcends the conventional 'white cube' setting. LAS CEO and co-founder Bettina Kames recently discussed the foundation's vision, highlighting their collaborations with artists such as Refik Anadol and their unique integration of new media, artificial intelligence, and quantum computing into artistic practice.

LAS Art Foundation: A Nomad's Quest for Future Art

In a discussion with designboom, Bettina Kames shed light on the foundation’s journey and its future-forward philosophy. Since its inception in 2016, LAS has embraced a nomadic identity, moving beyond its Berlin roots to present compelling works in diverse locations, including Venice, a city synonymous with contemporary art biennales. Recent installations feature artists like Josèfa Ntjam and Natasha Tontey, alongside an online residency supporting talents such as Xin Liu and Eunjo Lee. Kames emphasized that regardless of physical or virtual presence, a LAS exhibition is instantly recognizable for its bold use of advanced technologies. Reflecting on the foundation's origins, Kames recalled asking with co-founder Jan Fischer, 'why another art foundation?' The answer solidified their mission: to be an art foundation focused on the future, deeply rooted in the intersection of art, technology, and scientific breakthroughs. A prime example is Laure Prouvost’s forthcoming 2025 exhibition, “WE FELT A STAR DYING,” which delves into the complexities of quantum computing through a multisensory journey. To ensure broad understanding, LAS provides accessible explanations of quantum concepts, bridging the gap for non-technical audiences.

Kames views this educational approach as crucial for demystifying rapidly evolving technologies like AI, which can often seem daunting. By presenting these subjects through art, LAS creates 'door openers' for society to engage with and understand complex ideas. Furthermore, accessibility extends to the exhibition experience itself. LAS offers guided tours and engages high school students, and even adapts sensory-rich shows with muted lights and sounds for those with specific needs. The choice of venue plays a significant role in breaking down barriers; utilizing spaces like Berghain and Kraftwerk, which lack the intimidating aura of traditional museums, encourages a wider and more diverse audience to explore art. This innovative approach also pushes both artists and audiences to reconsider the very definition of 'art.'

Kames noted that while LAS shows, such as those by Anadol or Cheng, might resemble a vibrant nightclub experience, their engaging nature does not diminish their artistic depth or theoretical rigor. She stressed that LAS maintains the highest curatorial standards, showcasing leading contemporary artists. The sensory richness extends beyond flashy LED screens, incorporating elements like scent and sculpture, proving that digital content can be part of a broader, multi-sensory artistic vocabulary.

At its core, LAS is a hub for technological collaboration. Kames highlighted the quantum sensing program, a joint effort with Google AI quantum’s lead scientist for Laure Prouvost’s exhibition. This collaboration led to the development of a novel quantum AI diffusion model for moving images, demonstrating LAS’s commitment to pushing creative boundaries. Amidst ongoing debates surrounding AI in art, Kames positions LAS as a neutral platform for discourse, experimentation, and constructive debate. By fostering an environment that counteracts polarization, LAS continues to contribute to conversations about technology and its impact on culture, building on past explorations, such as Refik Anadol’s 2019 exhibition “Latent Being,” which grappled with machine learning—a technology now central to contemporary discussions.

The LAS Art Foundation stands as a beacon of innovation in the art world, fearlessly embracing the future by integrating advanced technologies like AI and quantum computing into its exhibitions. By transforming unconventional spaces and prioritizing accessibility, LAS not only presents groundbreaking works but also fosters a critical dialogue about the intersection of art, science, and society. Their commitment to making complex technological concepts approachable through immersive, multi-sensory experiences sets a new standard for engaging diverse audiences and redefining the boundaries of artistic expression.

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