Building materials

ENESS Transforms Vintage ATM into AI-Powered 'Human Psyche AI Teller Machine'

Australian art and technology studio ENESS has introduced an innovative interactive artwork named HP*ATM – Human Psyche AI Teller Machine. This installation ingeniously repurposes an old-fashioned ATM, transforming it into an advanced AI-driven oracle. Featured at the Automation Bias exhibition during Illuminate Adelaide 2026, the project invites participants to receive bespoke psychological insights, compelling them to ponder their increasing inclination to entrust complex AI systems with deeply personal information.

An Interactive Exploration of AI and Human Trust

Inspired by the iconic 1988 film "Big" by Penny Marshall, where a carnival attraction fulfills a child's profound wish, Nimrod Weis, the visionary artist and founder of ENESS, conceptualized a contemporary version of a wish-granting device for the artificial intelligence era. The HP*ATM offers intriguing psychological interpretations, prompting profound questions about the consequences when individuals readily share their private data with technologies that claim to comprehend them on a deeper level.

Visitors engaging with the installation have the choice to participate or observe, with even the decision to bypass the experience becoming part of the artwork's conceptual framework. Those who opt for interaction are guided through a carefully orchestrated sequence involving facial recognition, palm analysis, and a series of button selections. Utilizing these diverse inputs, the system constructs a tailored psychological profile, articulated as a lyrical horoscope. This narrative style mimics traditional fortune-telling, subtly highlighting the extensive data collection methods that are increasingly integral to modern AI systems.

The ENESS team designed the interaction with deliberate ambiguity. The installation encourages individuals to critically evaluate why algorithmic assessments can seem so convincing, even when their underlying mechanisms remain obscure. The engaging interface cleverly conceals a more disquieting reality: the ease with which people accept psychological interpretations delivered by an appealing machine, often without questioning the process. The installation's large, inflatable structure, itself conceived through AI processing of ENESS's past works and subsequently refined by the studio, encases a retro ATM equipped with a vintage telephone and subtle, evocative details, such as a traditional Japanese noren curtain signaling its 'open for business' status. These outdated technologies serve as a poignant reminder of the ephemeral nature of technological innovation, suggesting that today's sophisticated intelligent systems may eventually appear as antiquated as the cash machines and landline phones of yesteryear.

For Weis, this endeavor also reinforces a consistent theme in ENESS's artistic practice: preserving a childlike sense of wonder and inquiry into adulthood. The HP*ATM explores the intricate relationship between play and imagination, employing humor and interaction to stimulate deep introspection. The installation further delves into broader considerations regarding the anthropomorphization of artificial intelligence. The widespread adoption of digital assistants like Alexa and Siri has normalized conversational exchanges with machines, fostering an illusion of approachability and trustworthiness in algorithmic systems. HP*ATM extends this concept into the domain of psychological assessment, subtly warning that user-friendly interfaces should not obscure the significant implications of collecting increasingly intimate personal data. Presented within "Automation Bias," FutureJuice’s exhibition dedicated to the intersection of art, robotics, and emerging technologies, HP*ATM significantly contributes to an ongoing dialogue about how artificial intelligence influences human behavior, shapes trust, and impacts decision-making in our technologically evolving world.

This thought-provoking installation by ENESS serves as a timely reminder of the profound ethical questions raised by our increasing reliance on AI for understanding ourselves and our world. It challenges us to look beyond the convenience and allure of advanced technology and consider the true cost of outsourcing our most intimate reflections to algorithms. As AI continues to integrate into every facet of life, works like HP*ATM are crucial for fostering a critical perspective on data privacy, algorithmic bias, and the evolving nature of human-machine interaction.

Dream House: An Interactive Art Installation Exploring Collective Aspirations

Artist Jisoo Yoo's innovative art installation, "Dream House," transforms deeply personal aspirations into a fluid, architectural marvel. Unveiled at the (F)ESTIVALES in Les Tanneries – Centre d’art contemporain in France, this participatory exhibit invites individuals to contribute their written and drawn dreams onto pieces of clothing. These garments then collectively form a floating house that rises and falls, symbolizing the transient and ever-evolving nature of our shared realities.

Jisoo Yoo's "Dream House" Unveiled in France: A Collective Exploration of Human Aspiration

In the vibrant artistic landscape of France, specifically at the esteemed Les Tanneries – Centre d’art contemporain, artist Jisoo Yoo recently introduced her groundbreaking participatory installation, "Dream House," as a centerpiece of the (F)ESTIVALES event. This project, which debuted on July 14, 2026, challenges conventional notions of architecture and community by weaving together individual desires into a collective, living structure.

The essence of "Dream House" lies in its interactive design. Participants are invited to inscribe their personal dreams and wishes onto articles of clothing. These unique garments are then integrated into the installation, becoming integral components of a suspended, floating house. As more contributions are added, the structure visibly responds, illustrating the profound impact of collective human input. This dynamic movement underscores Yoo's central inquiry: how do our individual dreams and desires collectively sculpt the world we inhabit?

Yoo emphasizes that while dreams often feel intensely private, they are intrinsically linked to the social fabric, values, and opportunities of our environment. "Dream House" bridges this gap, transforming private reflections into a tangible, shared architectural experience. The floating house, therefore, is not a static edifice but an ephemeral form, constantly appearing and disappearing, mirroring the transient nature of collective aspirations.

Captured through the lens of photographer Gabriella Benkő, the imagery of "Dream House" vividly conveys its delicate yet powerful message. The installation proposes that a home is not merely constructed from physical materials but from the continuous nurturing and participation in shared aspirations. Through its constant motion and refusal of permanence, "Dream House" advocates for transformation, suggesting that our collective dreams perpetually shape and reshape our lived experiences.

Jisoo Yoo's vision for "Dream House" offers a compelling meditation on the interplay between individual desires and collective realities. It serves as a powerful reminder that our shared aspirations, much like the delicate threads of a garment, can form the very fabric of our world, albeit in a constantly shifting and impermanent manner. This installation encourages viewers to consider their role in this ongoing co-creation, fostering a deeper understanding of community and the transient beauty of human connection.

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Kfir Galatia Azulay's Eternal Structures: Marble Forms Redefining Architecture

Kfir Galatia Azulay, a visionary architect and designer, introduces his latest creation, "Eternal Structures." This groundbreaking collection challenges conventional perceptions of architecture by translating its fundamental elements into exquisite marble forms, offering a fresh perspective on spatial design and artistic expression.

Unveiling the Essence of Architectural Thought

The "Eternal Structures" Collection: A Fusion of Art and Design

Designed by the multifaceted architect, designer, and artist Kfir Galatia Azulay, "Eternal Structures" represents a series of architectural artifacts meticulously sculpted from pristine white Carrara marble. This collection resides at the confluence of architecture, contemporary art, and exclusive design, delving into the profound question of how architectural reasoning can manifest independently of physical buildings, purely through shape, scale, and substance.

Distilling Architecture: Beyond Models and Sculptures

Far from being mere architectural models or conventional statues, these marble creations condense architecture into its core spatial attributes. They eschew direct references to existing edifices or specific locations, instead focusing on the interplay of volume and emptiness, rhythm, scale, and equilibrium. The arrangements evoke glimpses of fantastical metropolises or quintessential architectural archetypes, inviting viewers to engage with the works and formulate their own interpretations, unburdened by a predetermined narrative.

The Craft of Creation: Single Marble Blocks into Collectible Art

Each piece in the collection is meticulously carved from a single block of white Carrara marble, a material historically revered for its application in grand architecture and sculpture. In "Eternal Structures," Carrara marble is employed on a more intimate scale, infusing domestic environments with architectural nuances, rather than adorning monumental structures. The inherent natural veining of the stone ensures that every object possesses a distinct character, making each work a unique component within the ES1 – Eternal Structures series by designer Kfir Galatia Azulay.

Emphasizing Physical Presence: The Weight of Design

The substantial weight of the material is a defining feature of this series. In stark contrast to many contemporary objects engineered for lightness or transient utility, these marble forms assert a powerful physical presence through their density and mass. Their architectural essence is conveyed through their proportions, material qualities, and balance, rather than through decorative embellishments, thereby allowing each piece to establish a considered relationship with its surroundings.

A New Lexicon of Architectural Form: Abstract Objects for Diverse Spaces

Positioned uniquely between the realms of architecture, art, and collectible design, these works are conceived for a variety of settings, including residential interiors, corporate offices, art galleries, and private collections. Rather than dominating a space, they serve as architectural accents, introducing a subtle yet profound spatial presence through their dimensions, geometric precision, and material integrity.

The Evolution of Forms: Building a Broader Vocabulary

The ES1 collection signifies the genesis of an ongoing series, where each object embodies an individual architectural composition while simultaneously contributing to a richer, evolving lexicon of forms. Collectively, these works forge an abstract panorama of interconnections, reflecting Galatia Azulay's continuous exploration of architecture as a cultural expression that transcends the confines of buildings, extending into the domain of collectible objects and contemporary art.

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