Building materials

Equine Eyes: Bridging Human and Horse Perspectives Through Immersive Design

Alan Hook, a researcher and designer from Ulster University, has developed 'Equine Eyes,' an extraordinary horse-shaped headset designed to offer humans an approximate visual experience of how horses perceive their surroundings. This unique wearable device is a key component of his extensive research into interspecies design, a field that investigates how objects and environments might be thoughtfully crafted with other animal species in mind. The fundamental question driving this initiative is: what transformative insights emerge when the animals that share our living spaces are also recognized as essential users?

This innovative project began in 2017, with initial prototypes utilizing low-resolution webcams and an Oculus Rift. The journey from pixelated images to the refined sculptural white mask seen today involved significant experimentation, particularly highlighting the importance of the physical design of the headset. Hook discovered that when the equipment visually resembled a horse, participants reported a deeper sense of transformation, indicating that the mask's physical form played a crucial role in enhancing the immersive experience and encouraging users to physically engage with the simulation. Building on this foundation, Hook's Interspecies Design Toolkit, a speculative framework developed through his research at Imagination Lancaster and Ulster University, extends these principles by adapting Microsoft's Inclusive Design Toolkit to consider non-human animals. This toolkit provides guidelines and activity cards for design workshops, prompting participants to observe animal interactions, identify human-centric design barriers, and envision alternative solutions that cater to diverse sensory experiences of different species.

The 'Equine Eyes' project has successfully transitioned from speculative research to public engagement, gaining significant traction in exhibition spaces. In 2024, it was featured at the Superpower Design exhibition in Belgium, where Hook facilitated workshops for participants to test the device. More recently, in July 2026, the National Museum of Racing and Hall of Fame in Saratoga Springs, New York, introduced two 'Equine Eyes' headsets for public use and educational programs, reaching an especially relevant audience of individuals who regularly interact with horses. While acknowledging the inherent limitations of fully simulating an animal's subjective experience, the core purpose of 'Equine Eyes' is to stimulate human empathy and prompt a re-evaluation of how different species navigate and interpret the same environment. This endeavor makes the abstract concept of interspecies perception tangible, while the Interspecies Design Toolkit integrates these considerations directly into the design process, fostering a more inclusive and empathetic approach to design that extends beyond human-centric perspectives.

This groundbreaking work encourages a profound shift in perspective, moving us toward a more inclusive world where the experiences and needs of all living beings are considered in our design and interactions. By stepping into the visual world of another species, we gain not only a deeper understanding of their reality but also a heightened sense of responsibility toward creating environments that respect and accommodate all forms of life. Such innovations inspire us to build a future where human ingenuity is harmoniously aligned with the diverse tapestry of nature, fostering greater empathy, respect, and coexistence.

Innovative Timber Wayfinding System for Theodore Roosevelt Presidential Library

Theodore Roosevelt Presidential Library, situated within the stunning Badlands terrain of Medora, North Dakota, has implemented a pioneering wayfinding system crafted by Studio Loutsis. This innovative approach seamlessly merges architectural design with the natural landscape, creating an intuitive and aesthetically pleasing guidance experience for visitors. The system underscores a commitment to sustainability and harmonizes with the library's design by Snøhetta and JLG Architects, extending across its diverse indoor and outdoor environments.

Studio Loutsis was tasked with conceptualizing and developing a comprehensive system that encompasses signage, wayfinding markers, and donor recognition elements throughout the vast campus. Their vision was to treat graphic wayfinding not merely as functional signs but as an integral extension of the site's architecture and the surrounding natural scenery. This integration ensures a consistent visual language that guides visitors while complementing the library's distinctive setting.

To achieve a unified aesthetic across various scales—from prominent outdoor markers to subtle pedestrian trail placards—Studio Loutsis collaborated with Commercial Type to develop a custom typeface and iconography. The outdoor elements feature robust timber pylons, directional panels, and detailed campus maps, all incorporating dark metal dimensional lettering. These materials were specifically chosen for their ability to withstand North Dakota's challenging climate and to age gracefully, mirroring the building's own natural weathering process. Indoor signage is thoughtfully mounted directly onto timber partitions, utilizing custom-milled infill blocks for a refined finish. A notable feature is the 'Wall of Gratitude' in the central lobby, where donor wood panels are seamlessly embedded within the main architectural cladding, celebrating contributions while maintaining design continuity.

A core principle guiding the fabrication of this wayfinding system was adherence to stringent Living Building Challenge sustainability criteria. This commitment dictated the selection of all materials, ensuring they were non-toxic and environmentally sound. Mechanical assemblies were also chosen for their ecological integrity, reflecting a holistic approach to sustainable design. This dedication to environmental responsibility aligns with the library's overall ethos and its deep connection to the natural world. The deliberate choice of timber throughout the design creates a warm and inviting atmosphere, reinforcing the library's connection to its rugged, natural surroundings.

This thoughtfully designed wayfinding solution at the Theodore Roosevelt Presidential Library transcends mere utility. It serves as a visual narrative that links human-made structures with the untouched beauty of the Badlands. Through its bespoke typography, integrated graphics, and use of sustainable, climate-resistant materials, the system not only guides but also enriches the visitor's journey, fostering a deeper appreciation for both the architectural marvel and the natural heritage it celebrates.

See More

Edible Sculptures Transform Philip Johnson's Wolfhouse in New York Exhibition

At the intersection of culinary art and spatial design, a groundbreaking exhibition recently transformed the iconic Wolfhouse, a modernist dwelling conceived by Philip Johnson in 1949. This unique event showcased the ephemeral nature of food art against the backdrop of enduring architectural forms, inviting attendees into a multi-sensory experience that challenged traditional perceptions of space and consumption.

Artists Lang Lang and Xie Peng Present 'Island on Land – A Landscape in Five States' at Wolfhouse

On October 10, 2026, in the serene setting of Newburgh, New York, the Wolfhouse, a distinguished modernist structure designed by Philip Johnson, became the canvas for a captivating exhibition titled 'Island on Land – A Landscape in Five States.' This visionary project, a collaboration between artists Lang Lang, founder of studio No.29, and Xie Peng, offered a compelling spatial interpretation of Lang's experimental short film from 2024. The exhibition seamlessly integrated moving imagery with delicate, consumable sculptures and innovative modular constructions made from metal and acrylic. These elements were thoughtfully dispersed throughout the home's various interior chambers, extending onto the outdoor terrace, and across the sprawling grounds, creating an immersive journey for every visitor.

Within the interior spaces, a series of installations translated the film's thematic narratives into tangible forms. One notable piece, 'Black Pearls,' featured intricately textured chocolate spheres, each filled with grape jelly and jasmine cream. These delectable creations rested within spiral recesses on 'The Panel,' a reflective stainless steel tray that mirrored the surrounding room as each piece was savored. Another intriguing work, 'A Drop Within,' presented a translucent sphere with a vibrant, deep-red core, elegantly supported by 'The Stands.' This structure was ingeniously assembled from circular acrylic panels and curved metal joints, secured not by conventional threaded hardware, but by fashion-inspired snap buttons, emphasizing a blend of industrial design with a playful, accessible aesthetic.

Transitioning to the exterior patio, which afforded sweeping views of the Hudson River, the installation continued to unfold. 'Red Soil' offered an edible landscape composed of buckwheat, fig, and chocolate, artfully arranged on 'The Table,' a two-panel aluminum surface secured with snap fasteners and striking red steel stabilization rods. Nearby, 'White Trace' presented delicate rice-paper vessels brimming with watermelon and perilla syrups, meticulously placed within circular acrylic cutouts on 'The Partition,' a reconfigurable aluminum screen. Further enhancing the outdoor experience, 'A Quiet Turn' featured biodegradable door handles subtly positioned directly on the turf, inviting interaction while harmonizing with the natural environment. The exhibition's design encouraged a non-linear exploration of the estate, allowing guests to freely wander, engaging with and consuming the perishable artworks, while the robust, fabricated armatures served as lasting structural companions to the transient edible elements.

This exhibition masterfully demonstrated how temporary artistic interventions can breathe new life into established architectural spaces. By juxtaposing the fleeting nature of edible art with the enduring legacy of modernist design, Lang Lang and Xie Peng provoked contemplation on the themes of consumption, impermanence, and the sensory engagement with art. It's a reminder that art can be both profound and playful, challenging us to experience our surroundings with renewed curiosity and a deeper appreciation for the transient beauty of creation.

See More