Building materials

Kinzo Architekten Unveils Vision for a 100-Meter Urban Pool in Berlin's Tilla-Durieux-Park

Kinzo Architekten has unveiled an ambitious proposal to revitalize Tilla-Durieux-Park, a lengthy green stretch bordering Potsdamer Platz in Berlin. The core of their vision is a 100-meter outdoor swimming pool, designed to transform the park's central axis into a vibrant, year-round recreational corridor. This initiative seeks to inject new life into an area known more for its commercial and tourist appeal than its public spaces, encouraging both locals and visitors to linger and engage with their surroundings.

The design concept, dubbed 'proximity activation,' aims to attract regular users by offering a diverse range of activities. Beyond the striking central pool, which will feature lap lanes and timber decking, the park is envisioned to include padel and basketball courts, beach volleyball facilities, and a calisthenics zone. A designated water playground will cater to younger visitors, while a communal table nestled within a tree grove will foster social interaction, transforming the park into what Kinzo co-founder Karim El-Ishmawi describes as 'the living room of Potsdamer Platz.' The elongated shape of the pool elegantly leverages the park's narrow geometry, creating a visually compelling urban feature.

A notable aspect of Kinzo's design is its provision for year-round usability, even during Berlin's colder months. A translucent canopy, supported by curved timber ribs, will enclose the pool, allowing swimmers to enjoy the water while remaining connected to the snowy landscape outside. This seasonal adaptation extends to other areas of the park, with renderings depicting a winter Christmas market among snow-dusted trees, ensuring the park remains a lively destination regardless of the weather. This forward-thinking approach underscores the project's potential to establish a consistent rhythm of activity within the urban landscape.

This visionary project by Kinzo Architekten represents a profound commitment to enhancing urban quality of life and fostering community engagement. By reimagining Tilla-Durieux-Park as a multi-functional recreational destination, the proposal addresses the challenge of underutilized public spaces in dense urban environments. It demonstrates how innovative design can transform transient areas into vibrant hubs, inspiring a greater sense of belonging and well-being among city dwellers and enriching the urban fabric for generations to come.

Serweta Peck Reimagines Historic Canal Building into Versatile Art Hub

The Medina Triennial Hub, a project by Serweta Peck, stands as a testament to inventive architectural transformation. This initiative has breathed new life into a historic edifice situated along New York's iconic Erie Canal, converting it into a dynamic center for an upcoming art triennial. Serving as a crucial component of a larger artistic endeavor aimed at revitalizing industrial towns along the canal, the Hub is envisioned as a communal 'living room'—a versatile space for artistic gatherings, educational workshops, lectures, and film screenings. It also acts as a welcoming nexus for guests, staff, and resident artists during the triennial's duration.

Celebrating Heritage and Innovation Through Sustainable Design

Revitalizing a Landmark: The Medina Triennial Hub's Vision

Serweta Peck embarked on the ambitious endeavor of repurposing a significant historical building, transforming it into the Medina Triennial Hub. This project is a cornerstone of an art triennial, strategically located on the Erie Canal in Medina, New York. Its purpose extends beyond an exhibition space, aiming to rejuvenate former industrial centers along the canal by fostering community engagement and artistic expression.

Crafting Versatility: Flexible Furniture from Reclaimed Materials

In collaboration with architecture students from SUNY Buffalo, Serweta Peck meticulously designed and constructed all interior furnishings for the Hub. Emphasizing the Triennial's core themes of endurance and environmental stewardship, the furniture pieces, affectionately named 'Objects Of Affection,' were crafted from locally acquired and recycled resources. This hands-on, research-driven process involved extensive teamwork, experimentation, and prototyping, resulting in adaptable designs suitable for diverse events and programs.

Inspiration from the Everyday: Challenging Conventional Design

Drawing inspiration from commonplace materials and Enzo Mari's 'Autoprogettazione'—a concept that advocates for DIY furniture using readily available items—the design team challenged traditional approaches to temporary event architecture. They deliberately employed unconventional and environmentally conscious materials and construction methods, moving away from the typical 'design, build, then discard' cycle often associated with large-scale cultural events.

Echoes of History: Connecting the Interior to the Canal's Legacy

The interior design of the Hub subtly references its historical context. The existing structural elements, such as the steel framework and masonry, were revealed by removing previous coverings, while the original tin ceiling was carefully maintained. A distinct teal epoxy 'water line' on the floor, walls, and columns, inspired by vintage postcards of the Erie Canal, visually ties the space to the waterway's fluctuating levels. This unifying color palette integrates the diverse furniture pieces, further enhancing the narrative of the site.

A Treasure Trove of Reclaimed Resources: Materials with a Story

The furniture pieces themselves are a mosaic of reclaimed materials, each with its own history. These include recycled wine corks set in hydrocal, polystyrene foam from student models, wood chip waste encapsulated in bio-resin, discarded plotter paper tubes, laminated recycled cardboard, and various offcut lumber. Notably, the New York Power Authority contributed seven colossal pieces of 200-year-old oak, previously submerged during the construction of the Erie Canal's lock system, adding a profound historical layer to the furnishings.

The Life Cycle of Art: Post-Triennial Sustainability

After its grand opening in September 2025 and full activation from June to September 2026, the Medina Triennial Hub will continue its commitment to sustainability. Following the Triennial, the 'Objects Of Affection' will be put up for auction, sold, donated, or relocated, ensuring their continued utility. Alternatively, they can be responsibly dismantled and recycled, underscoring the project's dedication to an enduring and environmentally sound legacy.

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EWE Studio's Exhuma Dining Table: A Fusion of Ancient Craft and Modern Design

EWE Studio unveils the Exhuma Dining Table, a monumental three-meter creation that redefines modern furniture by weaving together ancient Purépecha sand-casting traditions with cutting-edge design principles. This stunning piece, part of the acclaimed Exhuma Collection, highlights the rich interplay between material, artisanal skill, and contemporary aesthetics.

Bridging Millennia: Ancestral Craft Meets Modern Elegance

A Sculptural Centerpiece with Historical Roots

The Exhuma Dining Table stands as a captivating sculpture, featuring a striking combination of meticulously hand-carved green marble and fluidly cast aluminum. This innovative design pays homage to the ancient sand-casting methods practiced by the Purépecha people, transforming a historical technique into a contemporary statement piece.

The Exhuma Collection: Reimagining Ancient Metallurgy

As the latest addition to the Exhuma Collection, the table embodies a deep reverence for pre-Hispanic techniques, particularly Purépecha metallurgy. The collection meticulously explores ancestral knowledge and material practices passed down through generations, adapting these age-old casting methods into a fresh, modern language suitable for collectible design. The core technique involves melting metal and pouring it into molds made from natural materials like clay, sand, charcoal, or stone. Once solidified, the mold is broken, and the object is meticulously polished, often with stones.

Modern Interpretation of Time-Honored Processes

EWE Studio's approach to the Exhuma Collection involves a thoughtful reinterpretation of this historical process using contemporary materials and refined craftsmanship. The studio deliberately preserves the subtle variations and unique traces that are inherent to the casting process, celebrating the authentic character these marks impart. This philosophy emphasizes the intrinsic physical properties of the materials and the distinctive imprints left by their fabrication.

The Artistry of Hand-Carved Marble and Molten Aluminum

For the Exhuma Dining Table, the Mexico City-based studio has ingeniously paired a three-meter-long, hand-carved green marble surface with a robust cast aluminum base. The aluminum base is meticulously formed by pouring molten metal into a hand-defined sand mold. Following the casting, the surface undergoes a careful polishing process, ensuring that the natural form created during the pouring, along with any subtle irregularities and traces of its making, remain beautifully visible.

Dimensions and Material Dynamics

Measuring an impressive 308 × 135 × 77.5 cm, the table masterfully juxtaposes the inherent solidity of hand-carved stone with the fluid, organic qualities of cast metal. This striking contrast between the two materials not only defines the table’s distinct formal and tactile characteristics but also underscores the diverse processes involved in shaping each individual component.

Cultural Significance and Contemporary Value

The Exhuma Dining Table further extends the collection's exploration of metalwork within Purépecha culture, where metal objects like tajaderos, ornaments, and jewelry held profound social, economic, political, and sacred significance. By translating these ancestral techniques into a modern furniture piece, EWE Studio provokes a deeper consideration of how traditional material knowledge and exquisite craftsmanship continue to shape our perceptions of value and influence contemporary design narratives.

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