"Under the Drying Nets" Pavilion: A Blend of Tradition and Modernity in Foshan


























The "Under the Drying Nets" pavilion, a remarkable architectural endeavor by Multi-Architecture, encapsulates the essence of Foshan's deep-rooted cultural and ecological heritage. Spanning 180 square meters, this structure is more than just a building; it is a narrative woven into the landscape, reflecting the symbiotic relationship between human activity and the environment. Inspired by the area's historical "mulberry-dike-fish-pond" system, where nature's bounty and human ingenuity converged, the pavilion symbolizes continuity and evolution. Its design, completed in 2026, reimagines the simple, yet profound, act of drying fishing nets, transforming a utilitarian scene into an architectural statement. The installation seamlessly integrates with the "Yugengyueyun Section—Fishing and Farming Cabanas 2.0" zone, fostering a dialogue between the past and the present, and offering visitors a unique experience that resonates with the rhythms of nature and the echoes of tradition.
Project Insights: "Under the Drying Nets" Pavilion in Foshan, China
In the vibrant city of Foshan, China, a distinctive pavilion named "Under the Drying Nets" was unveiled in 2026, a creation of Multi-Architecture. Commissioned by the Art at Qiaoshan – Art Field Nanhai, this architectural gem is a central feature of the "Yugengyueyun Section—Fishing and Farming Cabanas 2.0" zone. The project was masterfully led by Jin Yuan, with significant contributions from a dedicated design team including Chen Li, Ji Shaomin, Zhang Zhiyi, Tan Zexi, Zhou Xinyang, Liu Binna, Zhang Zehong, and Xue Tong. iStructure provided essential structural consulting, ensuring the pavilion's integrity and aesthetic vision. The concept for this 180 square meter pavilion emerged from Foshan's renowned "mulberry-dike-fish-pond" system, a centuries-old practice symbolizing sustainable living and production. Fishing nets, an integral part of this heritage, are not merely tools for sustenance but are also everyday symbols of labor when laid out to dry. The pavilion's design abstracts this familiar imagery, transforming it into a contemporary art installation that honors the region's unique agrarian and aquacacultural traditions. Curatorial efforts were spearheaded by HUBRAT, with Wang Zigeng as the curator for the Yugengyueyun Section and Ren Yuqing as the executive curator. The client for this visionary project was Art at Qiaoshan – Art Field Nanhai Guangdong 2026, with Sun Qian serving as the chief planner. Qi Qi was responsible for the fabric design, adding a layer of textile artistry to the overall structure.
This pavilion provides a poignant reminder of how contemporary architecture can respectfully engage with local history and ecological systems. It demonstrates that innovation can arise from tradition, offering new perspectives on familiar elements. For visitors, it's an opportunity to reflect on the harmonious relationship between humanity and nature, and how sustainable practices of the past can inform the design and function of spaces in the future.