Plastique Fantastique's 'auruBOROS' Golden Installation on New York's High Line














Plastique Fantastique, a Berlin-based artistic duo, has unveiled "auruBOROS – Urban Memory and Collective Dream," a striking golden art installation situated beneath The Standard on New York's High Line. This temporary exhibit, sponsored by Bvlgari as part of their Serpenti Infinito art series, reimagines the ancient Ouroboros symbol—a serpent consuming its own tail, representing endless cycles—into a vast, inflatable structure. It effectively bridges the gap between urban architecture, communal spaces, and shared experiences, extending its serpentine form through the city to create a sense of a living, transient entity navigating the urban landscape. This endeavor aligns with Bvlgari's broader theme of transformation, renewal, and continuity explored throughout the Serpenti Infinito series.
The installation's design thoughtfully integrates with the High Line's complex urban context, which features diverse elements like greenery, surrounding edifices, street-level activity, and constant pedestrian flow. "auruBOROS" acts as an additional layer within this setting, with segments of its radiant gold body peeking through existing architectural and natural elements. Crafted from lightweight, reflective material and sustained solely by air pressure, the structure measures 30 x 10 x 10 meters. Its form is dynamically responsive to environmental factors, including wind, pedestrian paths, and safety considerations. Internal ventilators continuously maintain the pneumatic integrity, allowing the massive volume to hold its shape without needing a rigid support system.
The central allure of the installation lies in its reflective golden surface, which mirrors and captures the ever-changing urban environment—daylight, buildings, foliage, sky, and passersby. This dynamic surface causes the artwork's appearance to constantly shift, at times standing out as a distinct architectural form, and at other moments, blending seamlessly with the High Line and its surroundings. The artists, Marco Canevacci and Yena Young of Plastique Fantastique, named it "auruBOROS" by combining "aurum," Latin for gold, with Ouroboros. Gold's connection to the alchemical process of transmutation, or changing matter from one state to another, is embodied by the installation's continuously altering reflective qualities, which redefine its relationship with its environment through variations in light, motion, and reflections. The ephemeral nature of the installation is integral to its conceptual framework. From September 10th to September 20th, 2026, visitors will engage with the same structure, space, and shifting reflections, fostering what the artists term 'Public Love.' Although the pneumatic structure will be dismantled after ten days, the shared experiences and altered perceptions of the site will endure through collective memory and discussion. Thus, "auruBOROS" contributes a transient layer to New York’s urban narrative, offering a shared vision of how the city can be experienced before the site reverts to its original state. This marks Bvlgari’s inaugural public art commission in the United States, following previous presentations in Shanghai (2023) and Seoul and Mumbai (2025) as part of the Serpenti Infinito series.
This innovative artwork underscores the profound connection between art and its urban environment, inviting onlookers to reflect on the transient yet impactful nature of collective experiences and memory. It stands as a testament to the power of public installations to temporarily redefine space and leave a lasting impression on those who encounter them, fostering a sense of shared wonder and engagement within the bustling city.